探索格蕾塔-葛韦格执导的《芭比娃娃》(2023)中的男性气质

Adilla Pramaisela Lubis
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引用次数: 0

摘要

"芭比娃娃》(2023 年)由格丽塔-葛韦格(Greta Gerwig)执导,与诺亚-鲍姆巴赫(Noah Baumbach)共同编剧,以讽刺的手法探讨了芭比娃娃世界中的男性气质。本研究论文采用 Raewyn Connell 的 "男子气概类型 "框架来分析男性角色,尤其是肯,以及他们在芭比乐园的奇幻世界中对不同形式男子气概的表现。批判性话语分析(CDA)用于揭示通过语言表达的关于男性气质的隐藏信念和社会评论。影片对男性气质进行了多层面的探讨,包括霸权型、共谋型、从属型和边缘型,挑战并强化了传统的性别期望,为当代电影中的性别表征做出了更广泛的贡献。 关键词芭比娃娃》、当代电影、批判性话语分析(CDA)、性别表征、格丽塔-葛韦格、男性气质、雷温-康奈尔。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Exploring masculinities in Barbie (2023) directed by Greta Gerwig
"Barbie" (2023), directed by Greta Gerwig and co-written with Noah Baumbach, offers a satirical exploration of masculinity in the Barbie universe. This research paper employs Raewyn Connell's "Types of Masculinity" framework to analyze the male characters, particularly Ken, and their representation of different forms of masculinity within the fantastical world of Barbieland. Critical Discourse Analysis (CDA) is used to uncover hidden beliefs and social commentary about masculinity expressed through language. The film presents a multifaceted exploration of masculinity, including hegemonic, complicit, subordinate, and marginalized types, challenging and reinforcing conventional gender expectations and contributing to a broader discourse on gender representation in contemporary cinema.   Keywords: Barbie, contemporary cinema, critical discourse Analysis (CDA), gender representation, Greta Gerwig, masculinity, Raewyn Connell.
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