意大利建筑传统对喀山克里姆林宫苏云比克塔外观形成的影响

R. R. Khairutdinov, F. G. Mukhametzyanova, L. A. Sychenkova, O. Y. Latyshev, P. A. Latysheva, M. Radaelli, M. Luizetto
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引用次数: 0

摘要

本文探讨了人道主义者对苏云比克塔建筑风格的文化和历史理解的各种选择。作者考虑了中世纪晚期和文艺复兴时期亚平宁半岛的建筑传统对苏云比克塔建筑理念的影响。17 世纪从亚平宁半岛来到俄罗斯的著名建筑师亚里士多德-费奥拉万蒂和彼得-安东尼奥-索拉里的传记证实了 "意大利影响 "的假设。对亚平宁大师对喀山克里姆林宫建筑发展的贡献进行了评估。作者比较了喀山克里姆林宫苏云比克塔的历史图标和现代版本的艺术重建。最后得出的结论是,喀山苏尤姆比克塔的建筑外观具有文化和历史综合生产力,其中融入了俄罗斯建筑师重新思考的意大利和东方风格元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The influence of Italian architectural traditions on the formation of the appearance of the Suyumbike tower of the Kazan Kremlin
This article examines options for cultural and historical understanding by humanitarians of the architectural style of the Suyumbike tower. The authors consider the influence of the architectural traditions of the Apennine Peninsula of the late Middle Ages and the Renaissance on the architectural concept of the Suyumbike Tower. The hypothesis of "Italian influence" is confirmed in the facts of the biographies of famous architects Aristotle Fioravanti and Pietro Antonio Solari, who arrived in Russia in the 17th century from the Apennine Peninsula. The contribution of Apennine masters to the development of the architecture of the Kazan Kremlin is assessed. The authors made a comparison of the historical iconography of the Suyumbike Tower of the Kazan Kremlin and modern versions of its artistic reconstructions. The conclusion is made about the productivity of cultural and historical synthesis in the architectural appearance of the Kazan tower Suyumbike, which incorporated elements of the Italian and Eastern style, rethought by Russian architects.
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