斯威夫特的 "神话小说":芬兰神话的起源和接受

Nikita Vladimirovich Varyoshin
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摘要

拟议研究的目的是确定芬兰神话出现的原因,芬兰神话定义了斯威夫特(G. Swift)的小说《水地》中人物的认知思维和生命周期。文章提出了芬兰神话的主观认知问题,这种认知可能因人而异。作者对神话接受者进行了如下类型化分析:第一类人将故事变成流言蜚语,第二类人将 "神奇的土地 "转化为实用目的,第三类人将芬斯的宗教信仰世俗化。主人公汤姆-克里克(Tom Crick)老师年轻时拒绝神话思维,但后来却向他的学生解释芬恩神话的特殊性和不成文的规定,原因就在这里。其科学新颖性在于作者在《水地》作品的基础上,找出了芬尼亚神话与世界 "大历史 "之间的关系模式;解释了神话对历史影响的细微差别,反之亦然;揭示了传说和流言出现的历史根源。研究结果表明:第一,在对 "平坦的芬斯 "的空虚感的沉思中,芬斯人的意识中产生了传说;第二,对神话的主观认识取决于一个人与历史现实的联系;第三,克里克老师在精神上回到了他生命的起点(神话),试图让他的学生摆脱 "历史终结 "的恐怖。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Myth-Novel" by G. Swift: Genesis and reception of fenland mythology
The aim of the proposed research is to identify the reasons for the emergence of Fenland mythology, which defines the cognitive thinking and life cycle of characters in the novel "Waterland" by G. Swift. The article raises the question of the subjective perception of Fenland myth, which may vary depending on the individual. The author offers the following typology of myth recipients for consideration: the first type of people turns stories into gossip, the second transforms the "magical land" for practical purposes, and the third secularizes the religious beliefs of the Fens. The reason why the main character, the teacher Tom Crick, rejects mythological thinking in his youth but later explains to his students the peculiarities and unwritten rules of Fenian mythology, is explained. The scientific novelty lies in the author's identification, based on the work "Waterland," of the patterns of the relationship between Fenian mythology and the "grand history" of the world; the nuances of the influence of mythology on history and vice versa are explained; the historical root causes of the emergence of tales and gossip are revealed. The results of the study show that, firstly, legends arise in the consciousness of Fens during contemplation of the emptiness of the "flat Fens"; secondly, subjective perception of the myth depends on a person's connection to historical reality; thirdly, teacher Crick mentally returns to the beginning of his life (to the myths) to try to rid his students of the horror of the "end of history."
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