le lecteur modele de sami tchak

Satra Baguissoga
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摘要

本文试图重建多哥小说家萨米-特查克笔下的模范读者形象。为此,他以小说诗学和阅读社会学为基础,研究小说家的创作美学,并为作品的接受创造适当的条件。对浪漫主义情节的分析表明,小说紧紧围绕着一个以腐朽和淫荡为主导、没有图腾和禁忌的梦魇般的世界,小说中的人物既不是天使也不是野兽,他们只是为了获得幸福而随时准备腐化自己。这凸显了作者世界观的力量,也就是他假定的主观性,这是他从小在父亲的锻造厂里磨练出来的,到了中年又在不停地周游世界的过程中磨练出来的。因此,萨米-恰克的模范读者首先必须让自己从不回避任何禁忌。他必须做好准备,在城市中游荡,遇到无数可爱的、常常是古怪的人物,他们时而游荡在高档社区,时而游荡在世界郊区不光彩的贫民窟。归根结底,萨米-恰克思的作品带有强烈的说教、思想和精神自由的色彩。它们展示了一种真正的意图,即分享百科全书式的知识,让读者比自己更有能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
LE LECTEUR MODELE DE SAMI TCHAK
This article attempts to reconstruct the image of the model reader postulated in the writing of Togolese novelist Sami Tchak. To do this, he relies on the poetic of novel and sociology of reading in order to examine the aesthetic of creation in the novelist and to establish the appropriate conditions for reception of this works. The analysis of the romantic plots shows a tight focus around a nightmarish universe dominates by decay and voluptuousness, without totems or taboos, where the characters are neither angels nor beasts, but simply ready to corrupts themselves in order to be happy. It highlights the power of the authors view of the world, that is to say his assumed subjectivity, which he honed from his childhood in his fathers forge, then in middle age at during his incessant travels to the four corners of the world. Thus, the model reader of Sami Tchak must above all allow himself to never shy away from taboos of any kind. He must be ready to wander the cities, to meet myriads of endearing and, very often, eccentric characters wandering sometimes in the upscale neighborhoods, sometimes in the disreputable slums of the suburbs of the world. Because, ultimately, Sami Tchaks texts are strongly colored by didacticism, freedom of thought and spirit. They demonstrate a real intention to share knowledge of an encyclopedic nature to make readers more competent than they are.
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