打破印度婚姻中的忠贞界限:将通奸描绘成女性表达欲望的一种手段的研究

Urvie Bhattacharya
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引用次数: 0

摘要

虽然电影制作者的女性主义意图或缺乏女性主义意图可能仍是一个争论的话题,但我的论文认为,三部电影《Kabhi Alvida Na Kehna》(2006年)、《Dil Dhadakne Do》(2015年)和《Dolly Kitty Aur Woh Chamakte Sitare》(2019年)为女性性欲的表达创造了一个新的空间,女性的性欲似乎只有在异性恋一夫一妻制的严格限制之外才能得到满足。在这一过程中,这些影片将婚姻道德问题置于次要地位,转而关注女主角的情感和情欲需求,为女性寻求被剥夺的满足提供了引人入胜的叙事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
BREACHING THE BOUNDARIES OF FIDELITY IN THE INDIAN MARRIAGE: A STUDY OF THE PORTRAYAL OF ADULTERY AS A MEANS OF FEMALE EXPRESSION OF DESIRE
While the feminist intentions of the film makers, or a lack thereof, may remain a subject of debate, my paper argues that the three films Kabhi Alvida Na Kehna (2006), Dil Dhadakne Do (2015), and Dolly Kitty Aur Woh Chamakte Sitare (2019) create a new space for the articulation of womens sexual desires, which seem to find fulfilment only outside the strictures of heterosexual monogamy. In the process, these films relegate questions of marriage morality to the backdrop and focus instead on the emotional and erotic needs of the female protagonists, providing a compelling narrative of women who seek fulfilment that is denied to them.
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