从印度的漫画和卡通实践看讽刺及其节奏:综述

Jashadeep Kar, Saday Chandra Das
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引用次数: 0

摘要

现代 "漫画 "艺术的主要关键因素已不仅仅局限于社会和政治领域的声音,也不再局限于报纸、杂志和期刊、标语、模板和海报,而是被合法化为自发的,同样是艺术实践的一种模糊 "病因",在 21 世纪作为 "数字表达 "也有着不可分割的联系。漫画艺术对人类心理的影响始终是举足轻重的,反之亦然,它那修长的肢体对任何脆弱的、可辨识的、削弱社会发展动力的期望都有着巨大的控制力,这是不容忽视的。本研究论文 "从印度的漫画和卡通实践看讽刺及其节奏:回顾",试图通过印度五位著名艺术家的漫画和卡通艺术来展示对讽刺的研究以及他们对这一主题的看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
SATIRE AND ITS RHYTHM THROUGH THE LENS OF CARICATURE AND CARTOON PRACTICES IN INDIA: A REVIEW
The major key factor of modern ‘caricature’ art has been not only constricted to only the voice of society and the political domain, neither is it still subjected to newspapers, magazines and journals, banners, templates, and posters but it is legitimated to be spontaneous equally an ambiguous ‘etiology’ of art practice having its inseparable bonding through 21st century as ‘digital expression’ as well. Caricature art has always been hands-up with its impact on the human psyche or vice-versa as well and its elongated limbs hold a tremendous grip over any fragile, discursiveness, and expectation that weakens the stimulus growth of society which can never be overlooked. This research paper- ‘Satire and its Rhythm through the Lens of Caricature and Cartoon Practices in India: A Review’ fundamentally has made an attempt to showcase the study of satire through caricature and cartoon art by Five eminent artists from India and their perception of this subject.
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