{"title":"亚当-卡扎诺夫斯基:激进游戏原则","authors":"A. Kałuża","doi":"10.61269/mxrp3010","DOIUrl":null,"url":null,"abstract":"The purpose of the text is to present Adam Kaczanowski’s poetry from the perspective of comedy. The author refers to the traditions from which Kaczanowski draws – sarcasm, irony, and dark humor – and then describes the registers of poetry covered by the action of the comic principle. It is expressed in acts of destruction and violence, in metatextual remarks, and in the ontologically non-obvious boundary between humans and animals. Kaczanowski engages in clownery, but it is not an unrisky play: his comedy, supported by a critical approach to a lifestyle dependent on work and consumption, enables staged destructions of the world, which in turn are meant to enable the construction of a subjectivity ready for similar devastation. Key-words: comedy, poetry, destruction, clowning, criticism","PeriodicalId":36912,"journal":{"name":"Czas Kultury","volume":"12 4","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Adam Kaczanowski: zasada radykalnej zabawy\",\"authors\":\"A. Kałuża\",\"doi\":\"10.61269/mxrp3010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The purpose of the text is to present Adam Kaczanowski’s poetry from the perspective of comedy. The author refers to the traditions from which Kaczanowski draws – sarcasm, irony, and dark humor – and then describes the registers of poetry covered by the action of the comic principle. It is expressed in acts of destruction and violence, in metatextual remarks, and in the ontologically non-obvious boundary between humans and animals. Kaczanowski engages in clownery, but it is not an unrisky play: his comedy, supported by a critical approach to a lifestyle dependent on work and consumption, enables staged destructions of the world, which in turn are meant to enable the construction of a subjectivity ready for similar devastation. Key-words: comedy, poetry, destruction, clowning, criticism\",\"PeriodicalId\":36912,\"journal\":{\"name\":\"Czas Kultury\",\"volume\":\"12 4\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-03-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Czas Kultury\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.61269/mxrp3010\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Czas Kultury","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.61269/mxrp3010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
The purpose of the text is to present Adam Kaczanowski’s poetry from the perspective of comedy. The author refers to the traditions from which Kaczanowski draws – sarcasm, irony, and dark humor – and then describes the registers of poetry covered by the action of the comic principle. It is expressed in acts of destruction and violence, in metatextual remarks, and in the ontologically non-obvious boundary between humans and animals. Kaczanowski engages in clownery, but it is not an unrisky play: his comedy, supported by a critical approach to a lifestyle dependent on work and consumption, enables staged destructions of the world, which in turn are meant to enable the construction of a subjectivity ready for similar devastation. Key-words: comedy, poetry, destruction, clowning, criticism