亚当-卡扎诺夫斯基:激进游戏原则

Q4 Arts and Humanities
Czas Kultury Pub Date : 2024-03-31 DOI:10.61269/mxrp3010
A. Kałuża
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引用次数: 0

摘要

本文旨在从喜剧的角度介绍亚当-卡扎诺夫斯基的诗歌。作者提到了卡扎诺夫斯基借鉴的传统--讽刺、反讽和黑色幽默--然后描述了喜剧原则的行动所涵盖的诗歌领域。它表现在破坏和暴力行动中,表现在元文本评论中,表现在人类与动物之间本体论上不明显的界限中。卡扎诺夫斯基的作品虽然是小丑表演,但并非毫无风险:他的喜剧通过对依赖工作和消费的生活方式的批判,实现了对世界的破坏,而这反过来又意在构建一种随时准备进行类似破坏的主体性。关键词:喜剧、诗歌、毁灭、小丑、批判
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Adam Kaczanowski: zasada radykalnej zabawy
The purpose of the text is to present Adam Kaczanowski’s poetry from the perspective of comedy. The author refers to the traditions from which Kaczanowski draws – sarcasm, irony, and dark humor – and then describes the registers of poetry covered by the action of the comic principle. It is expressed in acts of destruction and violence, in metatextual remarks, and in the ontologically non-obvious boundary between humans and animals. Kaczanowski engages in clownery, but it is not an unrisky play: his comedy, supported by a critical approach to a lifestyle dependent on work and consumption, enables staged destructions of the world, which in turn are meant to enable the construction of a subjectivity ready for similar devastation. Key-words: comedy, poetry, destruction, clowning, criticism
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来源期刊
Czas Kultury
Czas Kultury Social Sciences-Social Sciences (miscellaneous)
CiteScore
0.10
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0.00%
发文量
10
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