取代定居者空间:土著公共艺术的变革力量

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Arts Pub Date : 2024-03-28 DOI:10.3390/arts13020060
Megan A. Smetzer
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引用次数: 0

摘要

与 19 世纪的蒸汽船旅行类似,21 世纪的游轮将太平洋西北海岸的游客与遥远的社区联系在一起。当代原住民艺术家与他们的祖先一样,将游客的好奇心转化为社区的经济、教育和文化机遇。公共艺术已成为吸引游客的一个日益重要的场所,因为游客只有几个小时的时间在岸上度过。本文比较了两个公共艺术项目--阿拉斯加州朱诺的 Kootéeyaa Deiyí(图腾柱小径)和不列颠哥伦比亚省温哥华的 Blanketing the City(城市毛毯),以探讨公共艺术表达土著主权的多元方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Replacing Settler Spaces: The Transformational Power of Indigenous Public Art
Similar to 19th-century steamship travel, 21st-century cruise ships link far-flung communities for visitors to the Pacific Northwest Coast. Contemporary Indigenous artists, like their ancestors before them, have transformed touristic curiosity into economic, educational and cultural opportunities for their communities. Public art has become an increasingly important site for engaging visitors who have only a few hours to spend on shore. This paper compares two public art projects—Juneau, Alaska’s Kootéeyaa Deiyí (Totem Pole Trail) and Vancouver, British Columbia’s Blanketing the City—to explore the multivalent ways in which public art expresses Indigenous sovereignty.
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来源期刊
Arts
Arts HUMANITIES, MULTIDISCIPLINARY-
自引率
40.00%
发文量
104
审稿时长
11 weeks
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