20 世纪 80 年代美国超级英雄连环画中的苏联国家领导人:在冷战历史背景下构建和传播对 "俄罗斯人 "的刻板印象

N. Sputnitskaya
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引用次数: 0

摘要

导言。自 20 世纪 40 年代以来,美国连环画中使用对俄罗斯人的刻板印象和陈词滥调的传统一直很丰富。俄罗斯人物代表着国家、文化统治者和种族定型观念。他们传达政治议程和公民价值观,展示对历史灾难的反应。苏联领导人在连环画中代表了作为政治制度的国家。20 世纪 80 年代,对 "俄罗斯威胁 "的解释发生了重大变化,表现苏联总书记的方法也是如此。方法和材料。文章以历史主义原则为基础。分析采用了一系列方法:描述性方法、话语分析要素和符号学工具。工作中使用了一系列资料,其中最重要的是规范审查文件的图形连环画问题和俄罗斯人的视觉表现。分析。作者分析了 1986-1989 年关于 "俄罗斯威胁 "的连环画的戏剧性,其中出现了戈尔巴乔夫。作者确定了构成这一形象的关键图案,进行了图标学分析,并分析了超级英雄主角和反角的语言特点。超级英雄连环画中苏联领导人形象的动态变化是由漫画形象过渡到 "邪恶帝国 "的马基雅维利统治者形象决定的,除其他外,他随时准备与美国合作。结果。从图像学的角度来看,连环画中描绘戈尔巴乔夫的一些技巧与表现罗纳德-里根的技巧是相关的。在一些连环画中,间接强调了苏联领导人相对于美国超级英雄的战略优势。戈尔巴乔夫形象中现实特征的出现使人们有可能谈论苏联和美国之间文化联系的扩大,这是目标受众众所周知的社会需求,他们对苏联领导人和国家本身的刻板形象完全不满意。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The USSR State Leader in the U.S. Superhero Comic Strips in the 1980s: Constructing and Broadcasting Stereotypes About “Russians” in the Historical Context of the Cold War
Introduction. There has been a rich tradition of using stereotypes and cliches of Russians in U.S. comic strips since the 1940s. Russian characters represent statehood, cultural dominants, and ethnic stereotypes. They convey the political agenda and civic values and demonstrate reactions to historical cataclysms. The leaders of the USSR represent the state as a political system in comic strips. In the 1980s, the interpretation of the “Russian threat” changed significantly, as did the methods of representing the General Secretary of the Soviet Union. Methods and materials. The article is based on the principles of historicism. The analysis was carried out using a set of methods: descriptive, elements of discourse analysis, and semiotic tools. The work used a range of sources, among which the most important were the issues of graphic comic strips regulating censorship documents and visual representations of Russians. Analysis. The author analyzed the dramaturgy of the 1986–1989 comic strips about the “Russian threat,” in which Mikhail Gorbachev appears. The key motifs that made up the image were identified, an iconological analysis was performed, and the speech characteristics of the protagonists and antagonists of superheroics were analyzed. The dynamics of the image of the leader of the USSR in superhero comic strips were determined by the transition from a caricature image to a Machiavellian ruler of the “Evil Empire,” ready, among other things, to collaborate with the United States. Results. From the point of view of iconography, a number of techniques for depicting Mikhail Gorbachev in comic strips correlate with the techniques of representation of Ronald Reagan. In some comic strips, the strategic superiority of the leader of the USSR over American superheroes is indirectly emphasized. The appearance of realistic features in the image of Gorbachev makes it possible to talk about the expansion of cultural ties between the USSR and the United States, a well-known social demand of the target audience, completely dissatisfied with the stereotypical images of the leaders of the USSR and the country itself.
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