19 世纪上半叶欧洲化对开罗城市和建筑风格演变的影响

Aly Kamal Kandil
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摘要

城市设计和建筑是密切相关的领域,两者通常相互交叉和重叠。由于本文的主要目的是了解城市规划过程对建筑成果的影响,因此本文探讨了这一问题,试图了解它们在实践中的两难处境。因此,本文探讨了开罗的欧洲化进程,这一进程始于 19 世纪上半叶,法国远征队将开罗打造成了这样一个法国模式:"东方巴黎"。本文分析了欧洲人和穆罕默德-阿里王朝根据欧洲模式对开罗进行现代化改造的战略努力,以研究传统老城的城市和建筑变化及发展方面,以及新的现代化城市阿兹巴基耶(al-Azbakiya)的建立,阿兹巴基耶是 1798 年至 1863 年期间的主要城市重要枢纽。在这种重叠的过渡过程中,需要探索一个新的研究领域:鲁米风格,由皇家赞助人引入,然后被当地人采用,是一种折衷主义风格,受到土耳其和法国巴洛克特色的影响。虽然在此期间也出现了不同的外国新建筑类型,但案例研究考察了选定的凯尔内宫殿、住宅和公共建筑。因此,本文发现了鲁米过渡风格的主要特征,这种风格在 19 世纪下半叶之前似乎一直是最重要的建筑风格;然而,这也是真正的欧洲风格出现的时间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE IMPACT OF EUROPEANIZATION ON THE URBAN AND ARCHITECTURAL STYLISTIC EVOLUTION OF CAIRO DURING THE FIRST HALF OF THE 19TH CENTURY
Urban design and architecture are intimately related fields, which generally intersect and overlap. As the main objective of this paper is to understand the influence of the urban planning process on the architectural outcome, this paper tackles this issue, trying to understand the dilemma of their practices. Therefore, this paper explores the Europeanization process in Cairo, which started during the first half of the 19 th century, by the French Expedition originating Cairo to such a French model: “Paris of the Orient”. The Europeans and Muhammed Ali’s dynasty strategic endeavors to modernize Cairo according to the European model are analyzed, in order to examine the urban and architectural changes and development aspects, regarding the old traditional city, alongside with the foundation of the new modern one al-Azbakiya , which was the main city vital hub between 1798 till 1863. During such overlapping process of transition, a new field for research to be explored: the Rumi style, introduced by the royal patrons, then adopted by the local people, and which was an eclectic style, influenced by the Turkish and French Baroque features. while different foreign new building typologies also appeared during this period, the case study examines selected Cairene palatial, residential, and public buildings. Thereupon, the paper discovers the main characteristic features of the Rumi transitional style, which appears to have been the domineering architectural style until the second half of the 19 th century; yet, the time of appearance of authentic European styles.
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