{"title":"喀山克里姆林宫 \"石头旋律（Tash Mony）\"国际雕塑研讨会：艺术研究和实验空间","authors":"R. R. Sultanova","doi":"10.52883/2619-0214-2023-6-4-424-430","DOIUrl":null,"url":null,"abstract":"The article analyzes works of sculpture, created during the international symposium in Kazan under the guidance of the author, that, after being installed in the Kazan Kremlin, became objects of attraction for tourists and guests of the Republic. Various stylistic approaches are described in detail in the disclosure of the theme performed by sculptors representing the national schools of the Turkic world (Azerbaijan, Bashkortostan, Crimea, Turkey, Tatarstan), accumulating Eastern and Western European traditions in their worklong or recent past.","PeriodicalId":300414,"journal":{"name":"Heritage and Modern Times","volume":"88 11","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"International Symposium on Sculpture \\\"Stone Melody (Tash Mony)\\\" in the Kazan Kremlin: a space for artistic research and experimentation\",\"authors\":\"R. R. Sultanova\",\"doi\":\"10.52883/2619-0214-2023-6-4-424-430\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article analyzes works of sculpture, created during the international symposium in Kazan under the guidance of the author, that, after being installed in the Kazan Kremlin, became objects of attraction for tourists and guests of the Republic. Various stylistic approaches are described in detail in the disclosure of the theme performed by sculptors representing the national schools of the Turkic world (Azerbaijan, Bashkortostan, Crimea, Turkey, Tatarstan), accumulating Eastern and Western European traditions in their worklong or recent past.\",\"PeriodicalId\":300414,\"journal\":{\"name\":\"Heritage and Modern Times\",\"volume\":\"88 11\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-03-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Heritage and Modern Times\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52883/2619-0214-2023-6-4-424-430\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Heritage and Modern Times","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52883/2619-0214-2023-6-4-424-430","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
International Symposium on Sculpture "Stone Melody (Tash Mony)" in the Kazan Kremlin: a space for artistic research and experimentation
The article analyzes works of sculpture, created during the international symposium in Kazan under the guidance of the author, that, after being installed in the Kazan Kremlin, became objects of attraction for tourists and guests of the Republic. Various stylistic approaches are described in detail in the disclosure of the theme performed by sculptors representing the national schools of the Turkic world (Azerbaijan, Bashkortostan, Crimea, Turkey, Tatarstan), accumulating Eastern and Western European traditions in their worklong or recent past.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
