{"title":"英博洛-姆布《我们曾经多么美丽》(2021)中的全球殖民主义与生态不公","authors":"Motsusi Nare, Peter Moopi, Oliver Nyambi","doi":"10.1177/00219347241238445","DOIUrl":null,"url":null,"abstract":"Postcolonial environmentalism in Africa explores interactions between humans and nature in the context of intensifying ecological violence in the aftermath of formal colonialism and its trademark violence of extractive power. As a critical approach that stresses the influence of colonial remains in everyday socio-political processes and relations, postcolonial environmentalism has been widely deployed to examine the interconnected relationship between the environment, materiality, and humans, with a focus on how one impacts and define the others. This study invokes, in a broad sense, African postcolonial ecocriticism to explore how creative literature is being used as a strategy of negotiating ecological violence in the era of global multi-national corporatism. The study adopts Grosfoguel’s idea of global coloniality as a conceptual framework to examine how Imbolo Mbue’s novel How Beautiful We Were (2021) portrays a Cameroonian postcolony where transnational corporations and corrupt governments perpetuate colonial machineries of extraction, ecological devastation, improvisation, dehumanization and violence. The article argues that Mbue symbolically uses decolonial environmental motifs to illustrate what is lost when symbiotic bonds between communal African societies and their natural environments are sacrificed for corporate profits that leave exploitation, environmental degradation and moral debauchery in their trails.","PeriodicalId":47356,"journal":{"name":"Journal of Black Studies","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2024-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Global Coloniality and Ecological Injustice in Imbolo Mbue’s How Beautiful We Were (2021)\",\"authors\":\"Motsusi Nare, Peter Moopi, Oliver Nyambi\",\"doi\":\"10.1177/00219347241238445\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Postcolonial environmentalism in Africa explores interactions between humans and nature in the context of intensifying ecological violence in the aftermath of formal colonialism and its trademark violence of extractive power. As a critical approach that stresses the influence of colonial remains in everyday socio-political processes and relations, postcolonial environmentalism has been widely deployed to examine the interconnected relationship between the environment, materiality, and humans, with a focus on how one impacts and define the others. This study invokes, in a broad sense, African postcolonial ecocriticism to explore how creative literature is being used as a strategy of negotiating ecological violence in the era of global multi-national corporatism. The study adopts Grosfoguel’s idea of global coloniality as a conceptual framework to examine how Imbolo Mbue’s novel How Beautiful We Were (2021) portrays a Cameroonian postcolony where transnational corporations and corrupt governments perpetuate colonial machineries of extraction, ecological devastation, improvisation, dehumanization and violence. The article argues that Mbue symbolically uses decolonial environmental motifs to illustrate what is lost when symbiotic bonds between communal African societies and their natural environments are sacrificed for corporate profits that leave exploitation, environmental degradation and moral debauchery in their trails.\",\"PeriodicalId\":47356,\"journal\":{\"name\":\"Journal of Black Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2024-03-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Black Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1177/00219347241238445\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"ETHNIC STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Black Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/00219347241238445","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ETHNIC STUDIES","Score":null,"Total":0}
Global Coloniality and Ecological Injustice in Imbolo Mbue’s How Beautiful We Were (2021)
Postcolonial environmentalism in Africa explores interactions between humans and nature in the context of intensifying ecological violence in the aftermath of formal colonialism and its trademark violence of extractive power. As a critical approach that stresses the influence of colonial remains in everyday socio-political processes and relations, postcolonial environmentalism has been widely deployed to examine the interconnected relationship between the environment, materiality, and humans, with a focus on how one impacts and define the others. This study invokes, in a broad sense, African postcolonial ecocriticism to explore how creative literature is being used as a strategy of negotiating ecological violence in the era of global multi-national corporatism. The study adopts Grosfoguel’s idea of global coloniality as a conceptual framework to examine how Imbolo Mbue’s novel How Beautiful We Were (2021) portrays a Cameroonian postcolony where transnational corporations and corrupt governments perpetuate colonial machineries of extraction, ecological devastation, improvisation, dehumanization and violence. The article argues that Mbue symbolically uses decolonial environmental motifs to illustrate what is lost when symbiotic bonds between communal African societies and their natural environments are sacrificed for corporate profits that leave exploitation, environmental degradation and moral debauchery in their trails.
期刊介绍:
For the last quarter of a century, the Journal of Black Studies has been the leading source for dynamic, innovative, and creative approach on the Black experience. Poised to remain at the forefront of the recent explosive growth in quality scholarship in the field of Black studies, the Journal of Black Studies is now published six times per year. This means a greater number of important and intellectually provocative articles exploring key issues facing African Americans and Blacks can now be given voice. The scholarship inside JBS covers a wide range of subject areas, including: society, social issues, Afrocentricity, economics, culture, media, literature, language, heritage, and biology.