图画语言表现:漫画中不可靠叙述的类型和特征

IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Lian Xu
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引用次数: 0

摘要

学者们低估了漫画这种艺术形式。本文通过对不可靠叙述的分析,说明漫画中这种叙述机制的复杂性,进而说明漫画的复杂性。格伦斯坦将漫画叙述者分为朗诵者和独白者,这一区分为讨论漫画中的不可靠叙述提供了基础。本文根据作品中的图文关系,将不可靠叙述的漫画分为单序不可靠叙述和双序不可靠叙述。此外,漫画的特定媒介特征(如时间空间化和板块设计)也导致了独特的不可靠类型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Picto-verbal representation: Types and features of unreliable narration in comics

Scholars have underestimated comics as an art form. This article uses an analysis of unreliable narration to show the complexity of this narrative mechanism in comics and, in turn, the sophistication of comics. Groensteen divides comic narrators into reciters and monstrators, and this distinction provides the basis to discuss unreliable narration in comics. This article categorizes comics with unreliable narration into mono-sequence and dual-sequence unreliable narrations according to the picto-verbal relationship in the works. Moreover, medium-specific features of comics such as spatialization of time and panel designs lead to unique types of unreliability.

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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
68
期刊介绍: The popular culture movement was founded on the principle that the perspectives and experiences of common folk offer compelling insights into the social world. The fabric of human social life is not merely the art deemed worthy to hang in museums, the books that have won literary prizes or been named "classics," or the religious and social ceremonies carried out by societies" elite. The Journal of Popular Culture continues to break down the barriers between so-called "low" and "high" culture and focuses on filling in the gaps that a neglect of popular culture has left in our understanding of the workings of society.
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