什么是偶像性?

Fabian Bross
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摘要

在手语文献中,图标性主要有三种定义。一些学者将标志性描述为符号(语言符号形式方面的心理表征)与其所指之间的相似性映射,另一些学者则认为标志性应理解为符号与其意义之间的相似性映射。还有一些学者将标志性定义为符号与其他心理表征之间的相似性映射。本文旨在概述将标志性定义为符号与其所指、符号与其意义或符号与某种心理概念之间的映射所带来的后果。我们将从不同的理论角度讨论这些后果。我们将论证,将标志性视为标识符与某些相关心理概念之间的映射的定义最有效,而基于参照和意义的定义则会遇到一些理论问题,或者至少是相当具体的理论问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
What is iconicity?
Iconicity has been defined in three majors ways in the sign language literature. Some authors describe iconicity as a similarity mapping between a signifier (the mental representation of the form side of a linguistic sign) and its referent, while others state that iconicity is to be understood as a similarity mapping between a signifier and its meaning. Other scholars have defined iconicity as a similarity mapping between a signifier and some other mental representation. The goal of this paper is to give an overview of the consequences entailed by defining iconicity as a mapping between a signifier and its referent, a signifier and its meaning, or a signifier and some mental concept. These consequences will be discussed from different theoretical perspectives. It will be argued that definitions viewing iconicity as a mapping between a signifier and some associated mental concept work best, while definitions based on reference and meaning run into several theoretical problems or are, at least, rather theory-specific.
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