高山iconodulia

ArchAlp Pub Date : 2024-03-19 DOI:10.30682/aa2311q
Matteo Tempestini
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引用次数: 0

摘要

八十年代末,阿尔卑斯山建筑在全球范围内得到认可的同时,建筑媒体,尤其是新闻媒体也发生了深刻的变化。摄影图片在期刊的建筑再现中发挥着越来越重要的作用。在这篇综述中,我们讨论了一些神圣作品的重要地位,它们争相成为著名杂志的封面,最终成为新阿尔卑斯建筑的标志。文章通过研究中阿尔卑斯山的三个标志性案例,分析了这一成功背后的原因:彼得-祖姆索尔 (Peter Zumthor) 的 Sogn Benedetg 教堂、克里斯蒂安-凯雷兹 (Christian Kerez) 在格劳宾登州的圣内波穆克 (St. Nepomuk) 教堂,以及贝尔纳多-贝德 (Bernardo Bader) 在福拉尔贝格州的 Salgenreute 教堂。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Alpine iconodulia
At the end of the Eighties the global recognition of Alpine architecture coincided with a profound shift in architectural media, particularly journalism. Photographic images played an increasing role in the reproduction of architecture in journals. In this overview, the important position of some sacred works is discussed, as they competed for the covers of renowned magazines, ultimately becoming icons of the new Alpine architecture. The article analyses the reasons behind this success by studying three emblematic cases in the Central Alps: the Chapels Sogn Benedetg by Peter Zumthor, St. Nepomuk by Christian Kerez in the Graubünden, and the Salgenreute Chapel by Bernardo Bader in Vorarlberg.
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来源期刊
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14
审稿时长
12 weeks
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