马拉博的生存与无言:俄狄浦斯还是欧律狄刻?

IF 0.4 4区 社会学 Q3 CULTURAL STUDIES
Eva-Maria Aigner
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引用次数: 0

摘要

如何谈论创伤和生存?这个问题在奥斯维辛集中营之后影响了西方哲学,在 "哲学界最近采用的世界末日语调 "和二十一世纪的多重危机中,这个问题似乎变得更加紧迫。马拉博在她的著作《新伤痕》(原著,2007 年)中论述了创伤符号化的(不)可能性问题。本文阐述了马拉博对生存作为非连续性的理解,以及其中隐含的幸存者无言的问题:当 "内在个体 "被悬置于时间顺序之外,而其生存方式恰恰在于这种悬置时,事实上又能说些什么呢?通过对杜福门泰勒和德里达在这一问题上的研究,我打算为解构主义对生存思考的贡献开辟一个尚未充分探索的视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Survival and speechlessness in Malabou: Oedipus or Eurydice?*
How to speak of wounding, of survival? Regarding a new “recently adopted apocalyptic tone in philosophy” and the multiple crises of the twenty-first century this question, which has shaped Occidental philosophy after Auschwitz, seems to have gained increased urgency. In her book “The New Wounded” (orig. 2007) Malabou addresses this question of the (im)possibility of the symbolization of traumatic injuries. The paper develops Malabou's understanding of survival as dis-continuity and the problem of the speechlessness of the survivor implicit to it: What can, in fact, be said, when the “in-dividual” is suspended from the chronological order of time and its mode of survival consists precisely in this suspension? By also considering the work of Dufourmantelle and Derrida on this matter, I intend to open up a yet underexplored perspective on deconstruction's contribution to a thinking of survival.
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
20
期刊介绍: French Cultural Studies is a fully peer reviewed international journal that publishes international research on all aspects of French culture in the Nineteenth and Twentieth Centuries. Articles are welcome on such areas as cinema, television and radio, the press, the visual arts, popular culture, cultural policy and cultural and intellectual debate. French Cultural Studies is designed to respond to the important changes that have affected the study of French culture, language and society in all sections of the education system. The journal encourages and provides a forum for the full range of work being done on all aspects of modern French culture.
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