Guillermo A. De La Fuente, Mara Basile, Mariela Desimone, Kaare L. Rasmussen, Marina G. Martínez Carricondo, Guillermo Rozas, Sergio D. Vera, Juan P. Tomba, Esteban Crespo
{"title":"阿根廷西北部用于绘制晚期(约 900-1450 年)和印加时期(约 1450-1600 年)陶瓷器皿的黑色锰基颜料的使用和生产:利用μRaman、FT-IR 和 XRD 的多分析方法","authors":"Guillermo A. De La Fuente, Mara Basile, Mariela Desimone, Kaare L. Rasmussen, Marina G. Martínez Carricondo, Guillermo Rozas, Sergio D. Vera, Juan P. Tomba, Esteban Crespo","doi":"10.1111/arcm.12963","DOIUrl":null,"url":null,"abstract":"<p>Late and Inca period pottery in the Northwestern Argentine region present two or three characteristic prefiring colors (red, black, and white or cream) in their decoration. Sanagasta and Belén vessels from Late Period are characterized by a bichrome black-on-red/cream and black-on-red painted decoration, respectively, whereas Inca vessels exhibit a black-on-red painted decoration. Analytical results obtained by μRaman, FT-IR, and XRD analyses on a relatively large number of samples show that the pre-Hispanic potters during Late and Inca periods used a manganese-based technique to obtain black colours in these large vessels fired in an oxidising atmosphere. Black paints were produced by the systematic use of different mineral complex mixtures of Mn (pyrolusite, bixbyte, and hausmannite) and hematite. As a result, spinel phases like jacobsite (a Fe-Mn compound) and magnetite were formed at different firing temperatures. Red paints were obtained using the mineral hematite. A detailed discussion is presented concerning the firing conditions to obtain these black hues.</p>","PeriodicalId":8254,"journal":{"name":"Archaeometry","volume":"66 5","pages":"1093-1119"},"PeriodicalIF":1.5000,"publicationDate":"2024-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The use and production of black Mn-based pigments for painting late (c. 900–1450) and Inca (c. 1450–1600) periods ceramic vessels in Northwestern Argentina: a multi-analytical approach using μRaman, FT-IR, and XRD\",\"authors\":\"Guillermo A. De La Fuente, Mara Basile, Mariela Desimone, Kaare L. Rasmussen, Marina G. Martínez Carricondo, Guillermo Rozas, Sergio D. Vera, Juan P. Tomba, Esteban Crespo\",\"doi\":\"10.1111/arcm.12963\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>Late and Inca period pottery in the Northwestern Argentine region present two or three characteristic prefiring colors (red, black, and white or cream) in their decoration. Sanagasta and Belén vessels from Late Period are characterized by a bichrome black-on-red/cream and black-on-red painted decoration, respectively, whereas Inca vessels exhibit a black-on-red painted decoration. Analytical results obtained by μRaman, FT-IR, and XRD analyses on a relatively large number of samples show that the pre-Hispanic potters during Late and Inca periods used a manganese-based technique to obtain black colours in these large vessels fired in an oxidising atmosphere. Black paints were produced by the systematic use of different mineral complex mixtures of Mn (pyrolusite, bixbyte, and hausmannite) and hematite. As a result, spinel phases like jacobsite (a Fe-Mn compound) and magnetite were formed at different firing temperatures. Red paints were obtained using the mineral hematite. A detailed discussion is presented concerning the firing conditions to obtain these black hues.</p>\",\"PeriodicalId\":8254,\"journal\":{\"name\":\"Archaeometry\",\"volume\":\"66 5\",\"pages\":\"1093-1119\"},\"PeriodicalIF\":1.5000,\"publicationDate\":\"2024-03-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Archaeometry\",\"FirstCategoryId\":\"89\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/arcm.12963\",\"RegionNum\":3,\"RegionCategory\":\"地球科学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHAEOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Archaeometry","FirstCategoryId":"89","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/arcm.12963","RegionNum":3,"RegionCategory":"地球科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
The use and production of black Mn-based pigments for painting late (c. 900–1450) and Inca (c. 1450–1600) periods ceramic vessels in Northwestern Argentina: a multi-analytical approach using μRaman, FT-IR, and XRD
Late and Inca period pottery in the Northwestern Argentine region present two or three characteristic prefiring colors (red, black, and white or cream) in their decoration. Sanagasta and Belén vessels from Late Period are characterized by a bichrome black-on-red/cream and black-on-red painted decoration, respectively, whereas Inca vessels exhibit a black-on-red painted decoration. Analytical results obtained by μRaman, FT-IR, and XRD analyses on a relatively large number of samples show that the pre-Hispanic potters during Late and Inca periods used a manganese-based technique to obtain black colours in these large vessels fired in an oxidising atmosphere. Black paints were produced by the systematic use of different mineral complex mixtures of Mn (pyrolusite, bixbyte, and hausmannite) and hematite. As a result, spinel phases like jacobsite (a Fe-Mn compound) and magnetite were formed at different firing temperatures. Red paints were obtained using the mineral hematite. A detailed discussion is presented concerning the firing conditions to obtain these black hues.
期刊介绍:
Archaeometry is an international research journal covering the application of the physical and biological sciences to archaeology, anthropology and art history. Topics covered include dating methods, artifact studies, mathematical methods, remote sensing techniques, conservation science, environmental reconstruction, biological anthropology and archaeological theory. Papers are expected to have a clear archaeological, anthropological or art historical context, be of the highest scientific standards, and to present data of international relevance.
The journal is published on behalf of the Research Laboratory for Archaeology and the History of Art, Oxford University, in association with Gesellschaft für Naturwissenschaftliche Archäologie, ARCHAEOMETRIE, the Society for Archaeological Sciences (SAS), and Associazione Italian di Archeometria.