墨西哥时装业的手工合作:奥托米刺绣和卡拉-费尔南德斯的案例

Brenda Mondragón-Toledo
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摘要

本文旨在展示土著社区与时尚界设计师之间的交叉关系。本文通过对奥托米刺绣合作社 Dotnit 和墨西哥设计师 Carla Fernández 之间的案例研究来解释这些相互关系。2013 年至 2017 年期间,在伊达尔戈州特南戈-德多利亚和墨西哥城开展了广泛的多地点人种学研究。对这两个地方进行探索的目的是,通过将特南戈刺绣引入时尚界,了解当地与全球之间的复杂关系。这项研究旨在通过 Tenango 刺绣在工匠、设计师和消费者之间的分流路径,了解在全球化世界中土著纺织品的消费情况。文章将研究不同主体之间的相互关系,以了解工匠与设计师之间动态关系的复杂性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Artisanal collaborations in the Mexican fashion industry: The case of Otomí embroiderers and Carla Fernández
The present article aims to demonstrate the intersected relations between Indigenous communities and designers in the fashion industry. These interrelations are explained through a case study between Dotnit, an Otomí embroidery cooperative, and the Mexican designer Carla Fernández. An extensive multi-sited ethnography was carried out between 2013 and 2017 in Tenango de Doria, Hidalgo, and Mexico City. Both places were explored with the purpose of understanding the complex relationships between the local and the global through the introduction of tenango embroidery into the fashion world. This research aims to understand the consumption of Indigenous textiles in a glocalized world by following the paths of diversion that tenango embroidery navigates through artisans, designers and consumers. Through the article, interrelationships among different agents will be examined in an effort to understand the complexities within artisan–designer dynamics.
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