{"title":"库里亚形态音的地层结构","authors":"Jochen Trommer","doi":"10.1017/s0952675723000180","DOIUrl":null,"url":null,"abstract":"Marlo <jats:italic>et al.</jats:italic> (2015) claim that Kuria verbal tone morphology undermines three well-established principles of locality and modularity: (1) <jats:italic>Phonological Locality</jats:italic>: the assumption that rules and constraints may only evaluate a small window of phonological objects; (2) <jats:italic>Cyclic Locality</jats:italic>: the stratal organization of morphophonology into stems, words and phrases; and (3) <jats:italic>Indirect Reference</jats:italic>: the claim that phonological rules and constraints cannot directly access morphosyntactic information. Sande <jats:italic>et al.</jats:italic> (2020) turn this claim into an argument for a new model of the morphosyntax–phonology interface, Cophonologies by Phase, which erases the separation between phonology and morphology and abandons standard locality domains in favour of syntactic phases. In this article, I show that the conclusions of both articles are unfounded: the Kuria data follow naturally from an analysis based on autosegmental tone melodies in a version of Stratal Optimality Theory which embraces all three restrictions, Phonological and Cyclic Locality and Indirect Reference, the latter implemented by Coloured Containment Theory. I argue that this approach obviates the technical and conceptual objections raised by Marlo <jats:italic>et al.</jats:italic> against a tone-melody analysis of Kuria, and makes more restrictive predictions about possible systems of tonal morphophonology compared to construction phonology frameworks.","PeriodicalId":46804,"journal":{"name":"Phonology","volume":"96 1","pages":""},"PeriodicalIF":0.7000,"publicationDate":"2024-02-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The stratal structure of Kuria morphological tone\",\"authors\":\"Jochen Trommer\",\"doi\":\"10.1017/s0952675723000180\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Marlo <jats:italic>et al.</jats:italic> (2015) claim that Kuria verbal tone morphology undermines three well-established principles of locality and modularity: (1) <jats:italic>Phonological Locality</jats:italic>: the assumption that rules and constraints may only evaluate a small window of phonological objects; (2) <jats:italic>Cyclic Locality</jats:italic>: the stratal organization of morphophonology into stems, words and phrases; and (3) <jats:italic>Indirect Reference</jats:italic>: the claim that phonological rules and constraints cannot directly access morphosyntactic information. Sande <jats:italic>et al.</jats:italic> (2020) turn this claim into an argument for a new model of the morphosyntax–phonology interface, Cophonologies by Phase, which erases the separation between phonology and morphology and abandons standard locality domains in favour of syntactic phases. In this article, I show that the conclusions of both articles are unfounded: the Kuria data follow naturally from an analysis based on autosegmental tone melodies in a version of Stratal Optimality Theory which embraces all three restrictions, Phonological and Cyclic Locality and Indirect Reference, the latter implemented by Coloured Containment Theory. I argue that this approach obviates the technical and conceptual objections raised by Marlo <jats:italic>et al.</jats:italic> against a tone-melody analysis of Kuria, and makes more restrictive predictions about possible systems of tonal morphophonology compared to construction phonology frameworks.\",\"PeriodicalId\":46804,\"journal\":{\"name\":\"Phonology\",\"volume\":\"96 1\",\"pages\":\"\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2024-02-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Phonology\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1017/s0952675723000180\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Phonology","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1017/s0952675723000180","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0
摘要
Marlo 等人(2015)认为库里亚语的动词语气形态学破坏了三条已确立的定位和模块化原则:(1)语音定位:假设规则和约束只能评估语音对象的一小部分;(2)循环定位:形态语音学分为词干、词和短语的分层组织;(3)间接参照:语音规则和约束不能直接获取形态句法信息。桑德等人(2020)将这一主张转化为一种新的形态句法-语音界面模型的论据,即 "阶段语音学"(Cophonologies by Phase),该模型抹去了语音学和形态学之间的分离,放弃了标准的定位域,转而支持句法阶段。在本文中,我将证明这两篇文章的结论都是毫无根据的:库里亚语的数据自然来自于基于分层优化理论(Stratal Optimality Theory)中的自分层音调旋律的分析,该理论包含所有三个限制条件,即语音和循环定位以及间接参照,后者由彩色包含理论(Coloured Containment Theory)实现。我认为,这种方法避免了马洛等人对库里亚音调-旋律分析提出的技术和概念上的反对意见,而且与构造音韵学框架相比,对可能的音调形态音韵学系统做出了更具限制性的预测。
Marlo et al. (2015) claim that Kuria verbal tone morphology undermines three well-established principles of locality and modularity: (1) Phonological Locality: the assumption that rules and constraints may only evaluate a small window of phonological objects; (2) Cyclic Locality: the stratal organization of morphophonology into stems, words and phrases; and (3) Indirect Reference: the claim that phonological rules and constraints cannot directly access morphosyntactic information. Sande et al. (2020) turn this claim into an argument for a new model of the morphosyntax–phonology interface, Cophonologies by Phase, which erases the separation between phonology and morphology and abandons standard locality domains in favour of syntactic phases. In this article, I show that the conclusions of both articles are unfounded: the Kuria data follow naturally from an analysis based on autosegmental tone melodies in a version of Stratal Optimality Theory which embraces all three restrictions, Phonological and Cyclic Locality and Indirect Reference, the latter implemented by Coloured Containment Theory. I argue that this approach obviates the technical and conceptual objections raised by Marlo et al. against a tone-melody analysis of Kuria, and makes more restrictive predictions about possible systems of tonal morphophonology compared to construction phonology frameworks.
期刊介绍:
Phonology, published three times a year, is the only journal devoted exclusively to the discipline, and provides a unique forum for the productive interchange of ideas among phonologists and those working in related disciplines. Preference is given to papers which make a substantial theoretical contribution, irrespective of the particular theoretical framework employed, but the submission of papers presenting new empirical data of general theoretical interest is also encouraged. The journal carries research articles, as well as book reviews and shorter pieces on topics of current controversy within phonology.