[弗里杰斯-卡林西生活和作品中的女性]。

Q4 Medicine
Psychiatria Hungarica Pub Date : 2023-01-01
Blanka Szabó
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引用次数: 0

摘要

在弗里杰斯-卡林西的艺术作品中,并非所有女性都是邪恶的:在他的晚期作品中,逝去的母亲和第一任妻子的形象被反映为难以接近的女神。这些人物确实具有一些消极性,这些消极性源于她们的死亡所带来的痛苦。另一方面,受第二任妻子阿兰卡-伯姆(Aranka Böhm)启发的女性角色与卡林西作品中的男性有接触,但在情感层面上并没有与他们建立联系,她们也在剥削男性。卡林西艺术作品中女性的这一特征很好地代表了他与卡罗琳娜-恩格尔(Karolina Engel)、艾特尔-朱迪克(Etel Judik)和阿兰卡-博姆(Aranka Böhm)的关系,这表明他的作品深受其生活事件的影响。这些忏悔背后可能有两种动机:第一种动机是通过哲学作品为母亲和第一任妻子的突然去世找到一个解释,这可能源于卡林西的负罪感;第二种动机是缓解他与阿兰卡-博姆的婚姻风波所带来的压力,同时思考妻子(以及人类)的救赎之道。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
[Women in Frigyes Karinthy's life and works].

Not all women in Frigyes Karinthy's art were presented as evil: the figures of the deceased mother and first wife are reflected as inaccessible goddesses in his late works. These characters do possess some negativity that stems from the pain they caused by their death. On the other hand, feminine characters inspired by Aranka Böhm, the second wife are in contact with the men of Karinthy's works but do not connect to them on an emotional level and they exploit men as well. This tipology of women in Karinthy's art represents his relationships well with Karolina Engel, Etel Judik and Aranka Böhm - suggesting that his works are heavily influenced by events in his life. There might be two types of motivation behind these confessions: the first one is finding an explanation for the sudden death of the mother and first wife through philosophical works which might have arisen from Karinthy's feeling of guilt; the second is relieving stress coming from his stormy marriage with Aranka Böhm, while thinking about the way of his wife's (and humanity's) salvation.

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来源期刊
Psychiatria Hungarica
Psychiatria Hungarica Medicine-Medicine (all)
CiteScore
0.40
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