土耳其--渴望现代化的 100 年

Evgenia Ivanova
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引用次数: 0

摘要

该文追溯了土耳其现代性的痛苦发展历程--这是一个仍在持续的冲突过程,冲突双方是一部分精英对成为 "现代欧洲人 "的渴望、另一部分精英对 "现代性 "和 "欧洲/西方 "绝不等同的不容置疑的确信以及土耳其社会广大阶层的传统心态。研究的核心是两个极端:高级文学(奥尔罕-帕慕克的作品)和大众文化(电视连续剧),这揭示了追踪现代性的渴望及其在土耳其现实中(未)实现的广泛可能性。从奥斯曼帝国晚期到共和国时期,直至本千年末期,"现代性 "和 "西方 "这两个最初的同义词逐渐瓦解。在新的千年里,官方的现代性概念日益凸显,但不是与西方并列,而是与西方背道而驰。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Turkey – 100 Years of Longing for Modernity
The text traces the painful development of Turkish modernity – a process of still ongoing clashes between the aspirations of a part of the elites to be “modern Europeans”, the unquestioning certainty of another part of them that “modernity” and “Europe/West” are by no means equivalent, and the traditional mentality of broad segments of Turkish society. At the heart of the study are two extremes: high literature (the works of Orhan Pamuk) and popular culture (television series), which reveals the wide register of possibilities for tracing the longing for modernity and its (un)realisation in Turkish reality. The original synonymy of “modernity” and “the West” that fueled the longing – from the late Ottoman Empire, through the Republican period until the end of the millennium – gradually disintegrated. In the new millennium, the official notion of achieved modernity increasingly asserted itself, however not as juxtaposition with the West, but in spite of it.
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