舞蹈是社会和文化变革的一面镜子:窥探操纵里的表演史

Khangembam Khoni
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摘要

本文试图突出曼尼普尔舞蹈历史上的重要时刻及其对当时社会和文化发展动态的影响。现在,舞者的身体不再是历史上创造的人类运动风格的简单再现,这些运动风格似乎永远是人们传统和文化的象征。舞者的身体现在被解读为符号、话语和人类经验的平台,身体中的结构和时间运动形式确实为创造舞蹈语言所涉及的特定思想、观念、情感和情绪提供了信息。通过分析有创造力的民族历史上所产生的舞蹈类型,我们将能够为当时社会的权力结构、知识结构和世界观提供提示。毫无疑问,技术、资源的利用、精神和宗教的影响以及权力的行使都会对社会和文化的变迁产生影响。但是,舞蹈风格的种类也确实说明了社会创造性投入的性质,而这种投入在舞蹈创作中是必不可少的。我们将研究前哈拉奥巴舞、赖哈拉奥巴舞及其在马尼普勒斯人皈依印度教期间转变为 18 世纪古典舞 Raas Leela 的过程。还将探讨殖民货币经济的引入、社会和文化结构的变化及其对舞蹈的影响。还将指出全球化及其对舞蹈传统的影响。随着我们对不同历史阶段的舞蹈、戏曲和表演的结构和形式的语义领域的深入研究,我们能够发现人民和统治者在应对时代挑战时对生活、关系和过程的观念的多方面转变。毫无疑问,这些挑战有时来自人民所生活的领域之外。外来的征服以及新的生活和行动方式的引入也会对传统的社会平衡造成冲击。动荡和不安时有发生。生活和艺术处于危机时刻。但应对危机的方法是独一无二的,因为当时的文化表明了该社会在文化方面的韧性。曼尼普尔舞蹈史讲述了这种经历。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
DANCE AS MIRROR OF SOCIAL AND CULTURAL CHANGE: A PEEK INTO MANIPURI PERFORMANCE HISTORY
The paper attempts to highlight significant moments in the history of Manipuri dance and their implications on the dynamics of social and cultural developments of the time. The dancing body is now no longer a simple reproduction of historically created style of human movement that seem to continue forever as symbol of people’s tradition and culture. The dancer’s body is now read as sign, as discourse, as platform for human experience and the structure and formulations of movements in time in the body do inform particular thoughts, ideas, emotions and affects that were involved in the creation of a language of dance. By analyzing the kind of dance produced in creative people’s history, we shall be able to provide hints on the structure of power, knowledge and the world views of the society of the times. No doubt technology, utilization of resources, spiritual and religious influences and power exercise do impact on social and cultural change. But the kind of dance style also do inform on the very nature of the creative inputs of society that had been necessitated in the production of the dance. Reading dance can also be as pleasurable as reading literature.We shall study the pre – Haraoba, the Lai Haraoba dance and its transformation into the 18 th century classical dance of the Raas Leela during the conversion of the Manipuris into Hinduism. The introduction of colonial money economy and structural changes in the society and culture and its impact on dance shall be explored. Globalization and its impact on dance traditions shall also be indicated. As we go deeper into the semantic field in the structure and form of dance, operas and performance in different stages of history, we are able to discover the manifold transformation in the realm of peoples’ and rulers’ ideas on life, relationships and processes in response to the challenges of the time. The challenges no doubt come sometimes from outside of the realm in which the people thrive. Foreign conquests and introduction of new ways of life and action also impinges on the traditional equilibrium in society. There are times of turmoil and unease. Livelihood and art are in moments of crisis. But the response to the crises is unique, as the culture of the time indicates the resilience of that society in culture. Manipuri dance history relates this experience.
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