世界的语言图景:艾米莉-狄金森诗歌中的人体概念化

Marieta Pastorková
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摘要

本文重点研究 19 世纪美国诗人艾米莉-狄金森诗歌中的身体语言图景。目的是为狄金森的抒情对象的身体提供一个连贯的语言图景,并重建她在艺术家对自我的感知方面概念化和描绘身体外观的方式。本研究侧重于认知民族语言学,研究方法采用分析和解释技术,重点是认知定义重构和面参数化。研究样本由诗人提及其抒情主体身体的诗歌组成。通过这项研究,可以将狄金森对身体的认知概念化归纳为以下几个方面:1)将身体视为精神容器的视角;2)身体是十九世纪女性所经历的社会压迫的反映;3)身体尺寸的侧面;4)肉体的短暂性。所确定的层面在一定程度上相互重叠,但它们共同构成了一幅统一的图景,揭示了认知隐喻理论的某些方面,如容器的概念隐喻。这一统一的图景还揭示了 19 世纪美国社会文化方面的文学和语言反映,如贬低女性抒情主体的倾向。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A linguisitc picture of the world: conceptualization of the human body in the poetry of Emily Dickinson
The paper focuses on the linguistic picture of the body in the poetry of Emily Dickinson, a 19th-Century American poet. The aim is to provide a coherent linguistic picture of the body of Dickinson’s lyric subject and to reconstruct the way she conceptualized and portrayed its physical appearance with regard to the artist’s perception of the self. This research is focused on cognitive ethnolinguistics, the methodology utilizes analytic and interpretative techniques with emphasis on the cognitive definition reconstruction and facet parametrization. The research sample consists of the selected poems in which the poet refers to the body of her lyric subject. This research has allowed for the identification of the following facets into which the conceptualization of Dickinson’s perception of the body can be categorized: 1) the perspective of the body as a spirit-encompassing vessel; 2) the body as a reflection of the social oppression experienced by women in the nineteenth century; 3) the facet of the body size, and 4) the ephemerality of the physical body. The identified facets overlap to some extent, but together they form a unified picture which reveals certain aspects of cognitive metaphor theory, such as the conceptual metaphor of a container. This unified picture also reveals literary and linguistic reflections of socio-cultural aspects of the 19th-Century America such as the tendency to diminish the female lyric subject.
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