从 "后人类 "儿童的视角探索新兴戏剧游戏

Ji-Yoon Kim, Boo-Yeun Lim
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摘要

本研究的目的是通过富有表现力的戏剧游戏,研究儿童是丰富的后人类。本研究采用了参与式观察和后人文主义方法,借鉴了范马南的诠释学现象学分析方法。研究于 2022 年 10 月初至 2023 年 1 月底在釜山 Y 幼儿园进行,以一个四岁班级的儿童为研究对象,每周观察四至五天,大约从 9:00 至 13:00,共计 70 次。研究成果及其意义可归纳如下。首先,幼儿作为 "后人类",从材料的摆放开始启动戏剧游戏,在戏剧游戏中,故事、道具、角色、背景等各种戏剧元素被演绎和表现出来。其次,作为 "后人类",幼儿在戏剧游戏中体验到更高的戏剧经验,他们的独特性得到了表现。第三,作为 "后人类",幼儿与环境中的材料建立了关系。本研究的重要意义在于,它将幼儿视为后人类,并研究了幼儿在富有表现力的戏剧游戏中揭示出的新生存在的本质。希望今后在幼儿教育中能认识到幼儿是后人类,并积极开展表现性戏剧游戏。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Exploring of Emergent Dramatic Play from a Perspective of Posthuman Children
The purpose of this study is to examine through expressive theatrical play that children are rich posthuman beings. This study utilized participatory observation and a posthumanist approach, drawing on van Manen's hermeneutic phenomenological analysis method. The study was conducted at Y Kindergarten in Busan, focusing on one class of four-year-old children, from early October 2022 to the end of January 2023, with observations conducted four to five days a week, approximately from 9:00 to 13:00, totaling 70 sessions. The research findings and their significance can be summarized as follows. First, as posthuman beings, young children initiate dramatic play from the arrangement of materials, and in their dramatic play, various theatrical elements such as stories, props, characters, and backgrounds are enacted and manifested. Second, as posthuman beings, young children experience heightened dramatic experiences within their dramatic play, and their unique characteristics are expressed.Third, as posthuman beings, young children establish relationships with materials within their environment. This study is significant in that it views infants as posthuman beings and examines the emergent nature of infant existence revealed in expressive theatrical play. In the future, it is hoped that children will be recognized as posthumans in early childhood education and that expressive theatrical play will be actively carried out.
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