幼儿使用乐器开展音乐活动的研究:从德勒兹的 "相遇 "和 "成为 "概念谈起

Hye-Ryeong Lee, Min-Jung Lim
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引用次数: 0

摘要

本研究的目的是从德勒兹哲学的视角考察幼儿的音乐体验,了解幼儿与乐器相遇时产生的事件和意义。为此,我们观察了托儿所混合班中 10 名 3-5 岁的幼儿参与特殊音乐活动的情况,为期约 4 个月,并采用德勒兹的哲学概念作为一种后定性研究方法,对所产生的数据进行分析。研究结果显示,幼儿在使用乐器的音乐活动中通过各种感官接触创造了新的意义,并通过创造性的实验和表达发明了自己的音乐风格。此外,幼儿的乐器活动被解释为通过音乐 "成为 "的行动实践进行新创造的意义。基于这些结果,建议以开放的眼光看待幼儿的音乐活动,关注他们与材料和关系的接触,从标准化的教学方法转向通过哲学思考乐器创造的新意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Study on Young Children’s Music Activities Using Musical Instruments: From the Perspective of Deleuze's Concepts of Encounter and Becoming
The purpose of this study is to examine the musical experience of young children from the perspective of Deleuze's philosophy and to understand the events and meanings generated from the encounters between young children and musical instruments. To this end, 10 children aged 3-5 in a mixed class of a daycare center were observed participating in special music activities for about 4 months, and as a kind of post-qualitative research method, Deleuze's philosophical concepts were used for analyzing the data generated. As a result of the study, young children created new meanings through various sensory encounters in music activities using musical instruments, and invented their own musical styles through creative experiments and expressions. In addition, the children's musical instrument activities were interpreted as the meaning of new creation through agential practices of musical ‘becoming.’ Based on these results, it was suggested that looking at young children's musical activities with an open eye by focusing on their encounters with materials and relationships, and moving from the standardized teaching approaches to new meanings created by musical instruments through philosophical thinking.
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