贡献者

IF 0.4 4区 历史学 Q1 HISTORY
{"title":"贡献者","authors":"","doi":"10.1353/scu.2023.a917571","DOIUrl":null,"url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\n<p> <ul> <li><!-- html_title --> Contributors <!-- /html_title --></li> </ul> <p><strong><small>kimberly anderson</small></strong> is a lens-based visual artist, employing photography, collage, and mixed media as a framework for her explorations of the nuances of memory. She encourages viewers to engage with the multifaceted tapestry of Blackness and the balance between the value and fragility ingrained in these narratives. Anderson is currently based in Brooklyn.</p> <p><strong><small>rebecca bengal</small></strong> is a writer of fiction and nonfiction who grew up in western North Carolina and is currently based in Brooklyn. Her stories, interviews, essays, reported pieces, and collaborations with artists have been published in <em>Aperture</em>, the <em>New York Times</em>, the <em>New Yorker</em>, and the <em>Paris Review</em>. Her first book of essays, <em>Strange Hours: Photography, Memory, and the Lives of Artists</em>, was published in 2023 as part of the <em>Aperture Ideas</em> series.</p> <p><strong><small>kinitra d. brooks</small></strong> is the Audrey and John Leslie Endowed Chair in Literary Studies in the Department of English at Michigan State University. Dr. Brooks specializes in the study of Black women, genre fiction, and popular culture. She has coedited <em>The Lemonade Reader</em>, and her two other books are <em>Searching for Sycorax: Black Women's Hauntings of Contemporary Horror</em> and <em>Sycorax's Daughters</em>.</p> <p><strong><small>julyan davis</small></strong> is a British-American painter and novelist who has made the American South his subject since 1988. His art focuses on documenting both the vanishing landscape and the lost histories and folklore of the region. His traveling museum exhibits include collaborations with poets, musicians, historians, and actors.</p> <p><strong><small>golden</small></strong> (they/them) is a Black gender-non-conforming trans photographer, poet, and community organizer. They are the author of <em>A Dead Name That Learned How to Live</em> and the photographic series <em>On Learning How to Live</em>, documenting Black trans life at the intersections of surviving and living in the United States. Their hybrid poetry and photography book, <em><small>reprise</small></em>, will be released in 2025.</p> <p><strong><small>k. ibura</small></strong> is the author of two speculative fiction collections, <em>Ancient, Ancient</em> (winner of the James Tiptree Award) and <em>When the World Wounds</em>, and a novel for children, <em>When the World Turns Upside Down</em>. She is the coeditor of the <em>Infinite Constellations</em> anthology and author of an ebook series about writing. Learn more at kiburabooks.com and kibura.com. <strong>[End Page 98]</strong></p> <p><strong><small>john jennings</small></strong> is a professor of media and cultural studies at the University of California at Riverside. Jennings is coeditor of the Eisner Award–winning collection <em>The Blacker the Ink: Constructions of the Black Identity in Comics and Sequential Art</em>. Jennings is also a 2016 Nasir Jones Hip Hop Studies Fellow with the Hutchins Center at Harvard University. Jennings's current projects include the horror anthology <em>Box of Bones</em>, the coffee table book <em>Black Comix Returns</em> (with Damian Duffy), and the <em>New York Times</em> best-selling graphic novel adaptation of Octavia Butler's classic dark fantasy novel <em>Kindred</em>, winner of the Eisner and Bram Stoker awards. Jennings is also founder and curator of the Abrams Megascope line of graphic novels.</p> <p><strong><small>kameelah l. martin</small></strong>'s scholarly expertise sits at the crossroads of African Diaspora literature(s) and folklore studies. Martin is the author of <em>Conjuring Moments in African American Literature</em> and <em>Envisioning Black Feminist Voodoo Aesthetics</em>, and coeditor of <em>The Lemonade Reader</em>. She is dean of the graduate school and professor of African American studies and English at the College of Charleston.</p> <p><strong><small>alena pirok</small></strong> is associate professor of history at Georgia Southern University. Her research explores the intersection of historical interpretation, memory, ghost lore, and dissonant heritage. She is the author of <em>The Spirit of Colonial Williamsburg : Ghosts and Interpreting the Recreated Past</em> (University of Massachusetts Press, 2022).</p> <p><strong><small>kristine potter</small></strong> is an artist based in Nashville. She holds an MFA in photography from Yale University (2005) and is the recipient of numerous awards, including a Guggenheim Fellowship (2018) and the Grand Prix Images Vevey (2019–2020). Potter's first monograph, <em>Manifest</em>, was published in 2018, and her work has been exhibited nationally and internationally, and is held in numerous public and private collections, including the High Museum of Art, Atlanta, and the Swiss Camera Museum, Vevey. Potter is currently an assistant professor of photography at Middle Tennessee State University.</p> <p><strong><small>jared ragland</small></strong>, MFA (Tulane University), is an assistant professor of photography at Utah State University. His...</p> </p>","PeriodicalId":42657,"journal":{"name":"SOUTHERN CULTURES","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2024-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Contributors\",\"authors\":\"\",\"doi\":\"10.1353/scu.2023.a917571\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\\n<p> <ul> <li><!-- html_title --> Contributors <!-- /html_title --></li> </ul> <p><strong><small>kimberly anderson</small></strong> is a lens-based visual artist, employing photography, collage, and mixed media as a framework for her explorations of the nuances of memory. She encourages viewers to engage with the multifaceted tapestry of Blackness and the balance between the value and fragility ingrained in these narratives. Anderson is currently based in Brooklyn.</p> <p><strong><small>rebecca bengal</small></strong> is a writer of fiction and nonfiction who grew up in western North Carolina and is currently based in Brooklyn. Her stories, interviews, essays, reported pieces, and collaborations with artists have been published in <em>Aperture</em>, the <em>New York Times</em>, the <em>New Yorker</em>, and the <em>Paris Review</em>. Her first book of essays, <em>Strange Hours: Photography, Memory, and the Lives of Artists</em>, was published in 2023 as part of the <em>Aperture Ideas</em> series.</p> <p><strong><small>kinitra d. brooks</small></strong> is the Audrey and John Leslie Endowed Chair in Literary Studies in the Department of English at Michigan State University. Dr. Brooks specializes in the study of Black women, genre fiction, and popular culture. She has coedited <em>The Lemonade Reader</em>, and her two other books are <em>Searching for Sycorax: Black Women's Hauntings of Contemporary Horror</em> and <em>Sycorax's Daughters</em>.</p> <p><strong><small>julyan davis</small></strong> is a British-American painter and novelist who has made the American South his subject since 1988. His art focuses on documenting both the vanishing landscape and the lost histories and folklore of the region. His traveling museum exhibits include collaborations with poets, musicians, historians, and actors.</p> <p><strong><small>golden</small></strong> (they/them) is a Black gender-non-conforming trans photographer, poet, and community organizer. They are the author of <em>A Dead Name That Learned How to Live</em> and the photographic series <em>On Learning How to Live</em>, documenting Black trans life at the intersections of surviving and living in the United States. Their hybrid poetry and photography book, <em><small>reprise</small></em>, will be released in 2025.</p> <p><strong><small>k. ibura</small></strong> is the author of two speculative fiction collections, <em>Ancient, Ancient</em> (winner of the James Tiptree Award) and <em>When the World Wounds</em>, and a novel for children, <em>When the World Turns Upside Down</em>. She is the coeditor of the <em>Infinite Constellations</em> anthology and author of an ebook series about writing. Learn more at kiburabooks.com and kibura.com. <strong>[End Page 98]</strong></p> <p><strong><small>john jennings</small></strong> is a professor of media and cultural studies at the University of California at Riverside. Jennings is coeditor of the Eisner Award–winning collection <em>The Blacker the Ink: Constructions of the Black Identity in Comics and Sequential Art</em>. Jennings is also a 2016 Nasir Jones Hip Hop Studies Fellow with the Hutchins Center at Harvard University. Jennings's current projects include the horror anthology <em>Box of Bones</em>, the coffee table book <em>Black Comix Returns</em> (with Damian Duffy), and the <em>New York Times</em> best-selling graphic novel adaptation of Octavia Butler's classic dark fantasy novel <em>Kindred</em>, winner of the Eisner and Bram Stoker awards. Jennings is also founder and curator of the Abrams Megascope line of graphic novels.</p> <p><strong><small>kameelah l. martin</small></strong>'s scholarly expertise sits at the crossroads of African Diaspora literature(s) and folklore studies. Martin is the author of <em>Conjuring Moments in African American Literature</em> and <em>Envisioning Black Feminist Voodoo Aesthetics</em>, and coeditor of <em>The Lemonade Reader</em>. She is dean of the graduate school and professor of African American studies and English at the College of Charleston.</p> <p><strong><small>alena pirok</small></strong> is associate professor of history at Georgia Southern University. Her research explores the intersection of historical interpretation, memory, ghost lore, and dissonant heritage. She is the author of <em>The Spirit of Colonial Williamsburg : Ghosts and Interpreting the Recreated Past</em> (University of Massachusetts Press, 2022).</p> <p><strong><small>kristine potter</small></strong> is an artist based in Nashville. She holds an MFA in photography from Yale University (2005) and is the recipient of numerous awards, including a Guggenheim Fellowship (2018) and the Grand Prix Images Vevey (2019–2020). Potter's first monograph, <em>Manifest</em>, was published in 2018, and her work has been exhibited nationally and internationally, and is held in numerous public and private collections, including the High Museum of Art, Atlanta, and the Swiss Camera Museum, Vevey. Potter is currently an assistant professor of photography at Middle Tennessee State University.</p> <p><strong><small>jared ragland</small></strong>, MFA (Tulane University), is an assistant professor of photography at Utah State University. His...</p> </p>\",\"PeriodicalId\":42657,\"journal\":{\"name\":\"SOUTHERN CULTURES\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2024-01-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOUTHERN CULTURES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/scu.2023.a917571\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOUTHERN CULTURES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/scu.2023.a917571","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0

摘要

以下是内容简介,以代替摘要: 撰稿人 金伯利-安德森是一位以镜头为基础的视觉艺术家,她以摄影、拼贴画和混合媒介为框架,探索记忆的细微差别。她鼓励观众关注黑人的多面性,以及这些叙事中根深蒂固的价值和脆弱性之间的平衡。Rebecca Bengal 是一位小说和非小说作家,在北卡罗来纳州西部长大,目前居住在布鲁克林。她的小说、访谈、散文、报道文章以及与艺术家的合作作品曾发表在《光圈》、《纽约时报》、《纽约客》和《巴黎评论》上。她的第一本散文集《奇怪的时间》(Strange Hours:金尼特拉-布鲁克斯(Kinitra D. Brooks)是密歇根州立大学英语系奥黛丽和约翰-莱斯利文学研究讲座教授。布鲁克斯博士专门研究黑人女性、类型小说和流行文化。她与人合编了《柠檬水读本》(The Lemonade Reader),她的另外两本书是《寻找西考拉克斯:黑人女性在当代恐怖小说中的出没》(Searching for Sycorax: Black Women's Hauntings of Contemporary Horror)和《西考拉克斯的女儿们》(Sycorax's Daughters)。 朱利安-戴维斯(Julyan Davis)是一位英裔美国画家和小说家,自 1988 年以来一直以美国南部为创作主题。他的艺术专注于记录该地区正在消失的景观以及失落的历史和民间传说。他在博物馆的巡回展览包括与诗人、音乐家、历史学家和演员的合作。Golden(他们/她们)是一位性别不符的黑人变性摄影师、诗人和社区组织者。他们著有《学会如何生活的死名》和摄影系列《学会如何生活》,记录了黑人变性人在美国生存和生活的交汇点上的生活。K. ibura著有两部推理小说集《古老,古老》(曾获詹姆斯-蒂特里奖)和《当世界受伤时》,还有一部儿童小说《当世界颠倒时》。她是《无限星座》(Infinite Constellations)文集的联合编辑,也是关于写作的电子书系列的作者。了解更多信息,请访问 kiburabooks.com 和 kibura.com。[John Jennings 是加州大学河滨分校媒体与文化研究教授。詹宁斯是艾斯纳奖获奖作品集《墨越黑》的联合编辑:漫画和连环画中黑人身份的建构》一书的联合主编。詹宁斯还是哈佛大学哈钦斯中心 2016 年纳西尔-琼斯嘻哈研究员。詹宁斯目前的项目包括恐怖选集《Box of Bones》、咖啡桌读物《Black Comix Returns》(与达米安-达菲合著),以及《纽约时报》畅销漫画小说改编自奥克塔维亚-巴特勒的经典黑暗奇幻小说《Kindred》,该小说曾获得艾斯纳奖和布拉姆-斯托克奖。詹宁斯还是艾布拉姆斯 Megascope 系列图画小说的创始人和策划人。卡米拉-马丁(Kameelah L. Martin)的学术专长是非洲散居地文学和民俗研究。马丁著有《非裔美国人文学中的魔幻时刻》(Conjuring Moments in African American Literature)和《黑人女权主义巫毒美学设想》(Envisioning Black Feminist Voodoo Aesthetics),并与《柠檬水读本》(The Lemonade Reader)合编。Alena Pirok 是佐治亚南方大学历史系副教授。她的研究探索历史解释、记忆、幽灵传说和不和谐遗产的交叉点。她著有《威廉斯堡殖民地精神:鬼魂与再现的过去》(The Spirit of Colonial Williamsburg : Ghosts and Interpreting the Recreated Past)(马萨诸塞大学出版社,2022 年)。她拥有耶鲁大学摄影硕士学位(2005 年),曾多次获奖,包括古根海姆奖学金(2018 年)和维维图像大奖赛(2019-2020 年)。波特的首部专著《Manifest》于 2018 年出版,她的作品曾在国内外展出,并被众多公共和私人收藏,包括亚特兰大高等艺术博物馆和沃韦瑞士相机博物馆。波特目前是中田纳西州立大学的摄影助理教授。贾里德-拉格兰,艺术硕士(杜兰大学),犹他州立大学摄影助理教授。他的...
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Contributors
In lieu of an abstract, here is a brief excerpt of the content:

  • Contributors

kimberly anderson is a lens-based visual artist, employing photography, collage, and mixed media as a framework for her explorations of the nuances of memory. She encourages viewers to engage with the multifaceted tapestry of Blackness and the balance between the value and fragility ingrained in these narratives. Anderson is currently based in Brooklyn.

rebecca bengal is a writer of fiction and nonfiction who grew up in western North Carolina and is currently based in Brooklyn. Her stories, interviews, essays, reported pieces, and collaborations with artists have been published in Aperture, the New York Times, the New Yorker, and the Paris Review. Her first book of essays, Strange Hours: Photography, Memory, and the Lives of Artists, was published in 2023 as part of the Aperture Ideas series.

kinitra d. brooks is the Audrey and John Leslie Endowed Chair in Literary Studies in the Department of English at Michigan State University. Dr. Brooks specializes in the study of Black women, genre fiction, and popular culture. She has coedited The Lemonade Reader, and her two other books are Searching for Sycorax: Black Women's Hauntings of Contemporary Horror and Sycorax's Daughters.

julyan davis is a British-American painter and novelist who has made the American South his subject since 1988. His art focuses on documenting both the vanishing landscape and the lost histories and folklore of the region. His traveling museum exhibits include collaborations with poets, musicians, historians, and actors.

golden (they/them) is a Black gender-non-conforming trans photographer, poet, and community organizer. They are the author of A Dead Name That Learned How to Live and the photographic series On Learning How to Live, documenting Black trans life at the intersections of surviving and living in the United States. Their hybrid poetry and photography book, reprise, will be released in 2025.

k. ibura is the author of two speculative fiction collections, Ancient, Ancient (winner of the James Tiptree Award) and When the World Wounds, and a novel for children, When the World Turns Upside Down. She is the coeditor of the Infinite Constellations anthology and author of an ebook series about writing. Learn more at kiburabooks.com and kibura.com. [End Page 98]

john jennings is a professor of media and cultural studies at the University of California at Riverside. Jennings is coeditor of the Eisner Award–winning collection The Blacker the Ink: Constructions of the Black Identity in Comics and Sequential Art. Jennings is also a 2016 Nasir Jones Hip Hop Studies Fellow with the Hutchins Center at Harvard University. Jennings's current projects include the horror anthology Box of Bones, the coffee table book Black Comix Returns (with Damian Duffy), and the New York Times best-selling graphic novel adaptation of Octavia Butler's classic dark fantasy novel Kindred, winner of the Eisner and Bram Stoker awards. Jennings is also founder and curator of the Abrams Megascope line of graphic novels.

kameelah l. martin's scholarly expertise sits at the crossroads of African Diaspora literature(s) and folklore studies. Martin is the author of Conjuring Moments in African American Literature and Envisioning Black Feminist Voodoo Aesthetics, and coeditor of The Lemonade Reader. She is dean of the graduate school and professor of African American studies and English at the College of Charleston.

alena pirok is associate professor of history at Georgia Southern University. Her research explores the intersection of historical interpretation, memory, ghost lore, and dissonant heritage. She is the author of The Spirit of Colonial Williamsburg : Ghosts and Interpreting the Recreated Past (University of Massachusetts Press, 2022).

kristine potter is an artist based in Nashville. She holds an MFA in photography from Yale University (2005) and is the recipient of numerous awards, including a Guggenheim Fellowship (2018) and the Grand Prix Images Vevey (2019–2020). Potter's first monograph, Manifest, was published in 2018, and her work has been exhibited nationally and internationally, and is held in numerous public and private collections, including the High Museum of Art, Atlanta, and the Swiss Camera Museum, Vevey. Potter is currently an assistant professor of photography at Middle Tennessee State University.

jared ragland, MFA (Tulane University), is an assistant professor of photography at Utah State University. His...

求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.30
自引率
0.00%
发文量
22
期刊介绍: In the foreword to the first issue of the The Southern Literary Journal, published in November 1968, founding editors Louis D. Rubin, Jr. and C. Hugh Holman outlined the journal"s objectives: "To study the significant body of southern writing, to try to understand its relationship to the South, to attempt through it to understand an interesting and often vexing region of the American Union, and to do this, as far as possible, with good humor, critical tact, and objectivity--these are the perhaps impossible goals to which The Southern Literary Journal is committed." Since then The Southern Literary Journal has published hundreds of essays by scholars of southern literature examining the works of southern writers and the ongoing development of southern culture.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信