夜行者

IF 0.4 4区 历史学 Q1 HISTORY
Kimberly Anderson
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The low country roads were mostly deserted, save for the occasional car passing through, and the atmosphere was pitch black. Looking into the night was like staring into the void.</p> <p>Tea exited the car. \"That's a'ight, man, I 'ppreciate the ride this far. 'Sides, I know these roads like the back of my hand.\" Tea's words were still hanging in the air when his driver peeled out of Ariel Crossroads.</p> <p>Tea chuckled. He was no newbie and could probably walk the fifteen minutes home blindfolded, but he couldn't blame his friend for being apprehensive. There were a lot of peculiar happenings indeed in the low country after dark. No streetlights either—just pure darkness, except for the occasional light in the window of Ms. Mae's house about a mile down the road. Ariel Crossroads began right at the edge of Tea's family cemetery, a real-life crossroads of life and death. There were many tales of peculiar happenings in the St. James area after dark—hell, during the day too—vacant rural roads and thicket-covered ditch backs provided the perfect backdrop for the clandestine. Tea thought a minute about how his sister Retta always said she wouldn't be caught in St. James after the sun went down.</p> <p><em>She spook too easily, ol' spooky scary girl</em>, he chuckled to himself. Still, he drew the bottle of homemade moonshine he always kept in his shirt pocket and took a quick nip of liquid courage for the road.</p> <p>Tonight, the full moon offered some solace from the typical nighttime obscurity. The dirt and rocks <em>swished</em> and <em>swashed</em> under his feet as he shuffed along the road approaching the family cemetery.</p> <p>The story went that Uncle Zack purchased the land for the cemetery back in 1919 for one hundred dollars. One hundred years later, the land was the revered resting place for legions of ancestors, and as expected from an area so long inhabited, the energy was charged. Coming up the road, Tea heard what sounded like clapping, singing, and praising over at the church house. He paused. He couldn't remember any mention of a service or program scheduled for that night, but he felt the energetic draw of rejoicing inside. Tea had intended on rushing home to wash up so he could get back to the service. Instead, he suddenly found himself standing in the vestibule of the church. The energy of worship and cries of salvation had called him closer. Still dusty from the day's work, Tea glanced down at his work clothes and back up at the congregation; the church was packed to the gills. <strong>[End Page 58]</strong></p> <p>One of the three <small>AME</small> churches on the network—St. James, St. Mary, or Bethlehem—must have been visiting this evening. People stood lining the walls. With all the shoutin', clappin', and catchin' the spirit, he could barely find a seat. But Tea had worked all day on his feet, and they were throbbing. Scanning the room, he spotted a lone vacant seat in the middle of the front row. While the choir sang \"Peace Be Still,\" Tea made his way through the crowd to the front, looking for familiar faces, but he couldn't place anyone. He made it to his seat and sat down.</p> <p>The moment he sat the church went dark—he was there all alone in the silence. In an instant, he was up out of his chair and fleeing the church.</p> <p>\"What the hell was that?\" he panted, running down the pathway back to the road.</p> <p>Tea slowed, knowing better...</p> </p>","PeriodicalId":42657,"journal":{"name":"SOUTHERN CULTURES","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2024-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Night Walker\",\"authors\":\"Kimberly Anderson\",\"doi\":\"10.1353/scu.2023.a917564\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\\n<p> <ul> <li><!-- html_title --> Night Walker <!-- /html_title --></li> <li> Kimberly Anderson (bio) </li> </ul> <br/> Click for larger view<br/> View full resolution <p><em>Night Service Mirage</em>, by Kimberly Anderson, 2022. 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引用次数: 0

摘要

以下是内容的简要摘录,以代替摘要: 夜行者金伯利-安德森(简历) 点击查看大图 查看完整分辨率 《夜役幻影》,作者金伯利-安德森,2022 年。瓦楞纸板上的混合媒介拼贴画,配以家庭照片、档案摄影和金箔,12 x 12 英寸。 [尾页 57] "嘿,抱歉我不能带你走更远的路了,伙计,你确定你会没事吗?"茶微笑着看着他的朋友。他完全理解朋友的惶恐。在南卡罗来纳州马里恩的乡村,如果你不是当地人,对道路不熟悉的话,黑夜真的会让你感到不安,尤其是在黑暗中。低矮的乡间小路大多荒无人烟,除了偶尔驶过的汽车,周围一片漆黑。望着夜色,就像望着虚空。茶下了车。"没关系,伙计,我很感谢你载我到这里。还有,我对这些路了如指掌。"茶的话音未落,司机就驶出了阿里尔十字路口。茶笑了。他不是新手,也许可以蒙着眼睛走十五分钟回家,但他不能责怪朋友的忐忑不安。天黑后的低地确实发生了很多奇特的事情。也没有路灯--只有一片漆黑,除了一英里外梅女士家的窗户上偶尔亮起的灯光。艾瑞儿十字路口的起点就在茶的家族墓地边上,这里是现实生活中生与死的十字路口。天黑后,圣詹姆斯地区发生了许多奇特事件--白天也是如此--空旷的乡村道路和灌木丛覆盖的沟背为秘密活动提供了完美的背景。茶茶想了一会儿,他姐姐雷塔总是说,太阳下山后,她不会在圣詹姆斯被抓到。他自嘲道,她太容易被吓到了,这个老幽灵般的可怕女孩。尽管如此,他还是从衣服口袋里掏出一瓶自制的月光酒,快速喝了一口,为上路壮胆。今夜,满月为典型的朦胧夜色带来了些许慰藉。当他沿着通往家族墓地的道路蹒跚而行时,脚下的泥土和岩石唰唰作响。据说扎克叔叔早在 1919 年就花一百美元买下了墓地的土地。一百年后,这块土地成为了无数先人敬仰的安息之地,正如人们所预料的那样,在这片长期有人居住的土地上,充满了能量。走在路上,Tea 听到教堂里传来鼓掌声、歌声和赞美声。他停顿了一下。他不记得当晚有任何仪式或节目安排,但他感受到了内心欢欣鼓舞的能量吸引。茶本来打算赶回家洗漱一下,然后再去参加礼拜。然而,他突然发现自己站在教堂的前庭。敬拜的能量和救赎的呼喊召唤他走近。一天的工作下来,茶仍然满身灰尘,他低头看了看自己的工作服,又抬头看了看会众;教堂里挤满了人。[圣詹姆斯教堂、圣玛丽教堂或伯利恒教堂网络中的三座 AME 教堂中的一座,今晚一定来做客了。人们站在墙边。随着人们的叫喊声、鼓掌声和喧闹声,他几乎找不到座位。但 Tea 忙活了一整天,双脚都在抽痛。他扫视全场,发现前排中间有一个空位。唱诗班唱 "平安无事 "时,Tea 穿过人群走到前面,寻找熟悉的面孔,但他找不到任何人。他走到自己的座位坐下。就在他坐下的那一刻,教堂里一片漆黑--寂静中只有他一个人。一瞬间,他从椅子上站了起来,逃离了教堂。"那到底是什么?"他气喘吁吁地沿着小路跑回大路。茶慢了下来,他知道......
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Night Walker
In lieu of an abstract, here is a brief excerpt of the content:

  • Night Walker
  • Kimberly Anderson (bio)

Click for larger view
View full resolution

Night Service Mirage, by Kimberly Anderson, 2022. Mixed media collage on corrugated cardboard with family photos, archival photography, and gold leaf, 12 x 12 in.

[End Page 57]

"Hey, sorry i can't take you further down the road, man, you sure you gon' be alright?"

Tea smiled at his friend. He fully understood the trepidation. The black of night in rural Marion, South Carolina, could be really unnerving if you weren't from the area and familiar with the roads—especially in the dark. The low country roads were mostly deserted, save for the occasional car passing through, and the atmosphere was pitch black. Looking into the night was like staring into the void.

Tea exited the car. "That's a'ight, man, I 'ppreciate the ride this far. 'Sides, I know these roads like the back of my hand." Tea's words were still hanging in the air when his driver peeled out of Ariel Crossroads.

Tea chuckled. He was no newbie and could probably walk the fifteen minutes home blindfolded, but he couldn't blame his friend for being apprehensive. There were a lot of peculiar happenings indeed in the low country after dark. No streetlights either—just pure darkness, except for the occasional light in the window of Ms. Mae's house about a mile down the road. Ariel Crossroads began right at the edge of Tea's family cemetery, a real-life crossroads of life and death. There were many tales of peculiar happenings in the St. James area after dark—hell, during the day too—vacant rural roads and thicket-covered ditch backs provided the perfect backdrop for the clandestine. Tea thought a minute about how his sister Retta always said she wouldn't be caught in St. James after the sun went down.

She spook too easily, ol' spooky scary girl, he chuckled to himself. Still, he drew the bottle of homemade moonshine he always kept in his shirt pocket and took a quick nip of liquid courage for the road.

Tonight, the full moon offered some solace from the typical nighttime obscurity. The dirt and rocks swished and swashed under his feet as he shuffed along the road approaching the family cemetery.

The story went that Uncle Zack purchased the land for the cemetery back in 1919 for one hundred dollars. One hundred years later, the land was the revered resting place for legions of ancestors, and as expected from an area so long inhabited, the energy was charged. Coming up the road, Tea heard what sounded like clapping, singing, and praising over at the church house. He paused. He couldn't remember any mention of a service or program scheduled for that night, but he felt the energetic draw of rejoicing inside. Tea had intended on rushing home to wash up so he could get back to the service. Instead, he suddenly found himself standing in the vestibule of the church. The energy of worship and cries of salvation had called him closer. Still dusty from the day's work, Tea glanced down at his work clothes and back up at the congregation; the church was packed to the gills. [End Page 58]

One of the three AME churches on the network—St. James, St. Mary, or Bethlehem—must have been visiting this evening. People stood lining the walls. With all the shoutin', clappin', and catchin' the spirit, he could barely find a seat. But Tea had worked all day on his feet, and they were throbbing. Scanning the room, he spotted a lone vacant seat in the middle of the front row. While the choir sang "Peace Be Still," Tea made his way through the crowd to the front, looking for familiar faces, but he couldn't place anyone. He made it to his seat and sat down.

The moment he sat the church went dark—he was there all alone in the silence. In an instant, he was up out of his chair and fleeing the church.

"What the hell was that?" he panted, running down the pathway back to the road.

Tea slowed, knowing better...

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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
22
期刊介绍: In the foreword to the first issue of the The Southern Literary Journal, published in November 1968, founding editors Louis D. Rubin, Jr. and C. Hugh Holman outlined the journal"s objectives: "To study the significant body of southern writing, to try to understand its relationship to the South, to attempt through it to understand an interesting and often vexing region of the American Union, and to do this, as far as possible, with good humor, critical tact, and objectivity--these are the perhaps impossible goals to which The Southern Literary Journal is committed." Since then The Southern Literary Journal has published hundreds of essays by scholars of southern literature examining the works of southern writers and the ongoing development of southern culture.
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