过去的终将过去

IF 0.4 4区 历史学 Q1 HISTORY
Jared Ragland, Catherine Wilkins
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引用次数: 0

摘要

摘要:摄影师贾里德-拉格兰(Jared Ragland)运用南方哥特式的感性,以视觉方式与阿拉巴马州长达数百年的历史、当今的问题,以及长期以来利用种族隔离和扣押来为美国例外主义的白人至上主义神话服务的现象作斗争。这些黑白照片在风格和内容上与南方哥特传统中的新闻、文学和艺术前辈的作品有相似之处,但它们也参与并重构了美国南方历史创伤与当代社会政治问题之间充满矛盾的叙事关系。因此,《昔日已逝,今朝重现》在表现过去和现在的地方问题时,既满足了观众对南方哥特式的期望,又打破了观众对南方哥特式的期望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
What Has Been Will Be Again

Abstract:

Photographer Jared Ragland uses a Southern Gothic sensibility to visually contend with Alabama's centuries-long past, its present-day issues, and the perpetuated use of segregation and sequestration in service of the white supremacist myths of American exceptionalism. While the black-and-white photographs demonstrate similarities in style and content to the works of journalistic, literary, and artistic predecessors in the Southern Gothic tradition, they also engage and reframe fraught narrative relationships between historical trauma and contemporary sociopolitical issues in the American South. In so doing, "What Has Been Will Be Again" both meets, then disrupts, audience expectations for the Southern Gothic in its representation of past and present problems of place.

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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
22
期刊介绍: In the foreword to the first issue of the The Southern Literary Journal, published in November 1968, founding editors Louis D. Rubin, Jr. and C. Hugh Holman outlined the journal"s objectives: "To study the significant body of southern writing, to try to understand its relationship to the South, to attempt through it to understand an interesting and often vexing region of the American Union, and to do this, as far as possible, with good humor, critical tact, and objectivity--these are the perhaps impossible goals to which The Southern Literary Journal is committed." Since then The Southern Literary Journal has published hundreds of essays by scholars of southern literature examining the works of southern writers and the ongoing development of southern culture.
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