{"title":"过去的终将过去","authors":"Jared Ragland, Catherine Wilkins","doi":"10.1353/scu.2023.a917561","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>Photographer Jared Ragland uses a Southern Gothic sensibility to visually contend with Alabama's centuries-long past, its present-day issues, and the perpetuated use of segregation and sequestration in service of the white supremacist myths of American exceptionalism. While the black-and-white photographs demonstrate similarities in style and content to the works of journalistic, literary, and artistic predecessors in the Southern Gothic tradition, they also engage and reframe fraught narrative relationships between historical trauma and contemporary sociopolitical issues in the American South. In so doing, \"What Has Been Will Be Again\" both meets, then disrupts, audience expectations for the Southern Gothic in its representation of past and present problems of place.</p></p>","PeriodicalId":42657,"journal":{"name":"SOUTHERN CULTURES","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2024-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"What Has Been Will Be Again\",\"authors\":\"Jared Ragland, Catherine Wilkins\",\"doi\":\"10.1353/scu.2023.a917561\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Abstract:</p><p>Photographer Jared Ragland uses a Southern Gothic sensibility to visually contend with Alabama's centuries-long past, its present-day issues, and the perpetuated use of segregation and sequestration in service of the white supremacist myths of American exceptionalism. While the black-and-white photographs demonstrate similarities in style and content to the works of journalistic, literary, and artistic predecessors in the Southern Gothic tradition, they also engage and reframe fraught narrative relationships between historical trauma and contemporary sociopolitical issues in the American South. In so doing, \\\"What Has Been Will Be Again\\\" both meets, then disrupts, audience expectations for the Southern Gothic in its representation of past and present problems of place.</p></p>\",\"PeriodicalId\":42657,\"journal\":{\"name\":\"SOUTHERN CULTURES\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2024-01-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOUTHERN CULTURES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/scu.2023.a917561\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOUTHERN CULTURES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/scu.2023.a917561","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
Photographer Jared Ragland uses a Southern Gothic sensibility to visually contend with Alabama's centuries-long past, its present-day issues, and the perpetuated use of segregation and sequestration in service of the white supremacist myths of American exceptionalism. While the black-and-white photographs demonstrate similarities in style and content to the works of journalistic, literary, and artistic predecessors in the Southern Gothic tradition, they also engage and reframe fraught narrative relationships between historical trauma and contemporary sociopolitical issues in the American South. In so doing, "What Has Been Will Be Again" both meets, then disrupts, audience expectations for the Southern Gothic in its representation of past and present problems of place.
期刊介绍：
In the foreword to the first issue of the The Southern Literary Journal, published in November 1968, founding editors Louis D. Rubin, Jr. and C. Hugh Holman outlined the journal"s objectives: "To study the significant body of southern writing, to try to understand its relationship to the South, to attempt through it to understand an interesting and often vexing region of the American Union, and to do this, as far as possible, with good humor, critical tact, and objectivity--these are the perhaps impossible goals to which The Southern Literary Journal is committed." Since then The Southern Literary Journal has published hundreds of essays by scholars of southern literature examining the works of southern writers and the ongoing development of southern culture.
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