{"title":"批评当代室内设计学生","authors":"Jody Nyboer","doi":"10.1007/s10798-023-09872-4","DOIUrl":null,"url":null,"abstract":"<p>This article presents findings from an instructional-based inquiry, aimed to evaluate the critiquing characteristics of an accredited interior design program, and to optimize the experience of studio-based feedback practices for contemporary students. This investigation pre-dates the unprecedented shift to remote instruction due to the global pandemic, providing a unique snapshot of Generation Z emergent designers at a time when in-person feedback reigned. Data was collected through an anonymous, voluntary survey which invited students to share their experiences and perceptions of various modalities of project feedback. The findings are four-fold. First, students view critique not merely as a validation or gatekeeping function but as an interactive form of guidance, underscoring the necessity of harmonizing directive discourse with empowering feedback. Second, methods like peer reviews, desk crits, and illustrative feedback are seen as particularly beneficial, being both personalized and intimate, and are valued equally in both in-studio and out-of-studio settings. Third, 1–2 weekly contact hours with instructors is preferred for project feedback, pointing to a possible disparity between student expectations and prevailing practices. Finally, students recognized the potential benefits of using online critiquing tools for project feedback, even prior to the extensive uptake of online platforms during the pandemic in which students had little experience using them. This study contributes valuable context to the future of interior design education, and illustrates areas in which research concerning modern students and instructional practices can be further developed.</p>","PeriodicalId":2,"journal":{"name":"ACS Applied Bio Materials","volume":null,"pages":null},"PeriodicalIF":4.6000,"publicationDate":"2024-01-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Critiquing contemporary interior design students\",\"authors\":\"Jody Nyboer\",\"doi\":\"10.1007/s10798-023-09872-4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>This article presents findings from an instructional-based inquiry, aimed to evaluate the critiquing characteristics of an accredited interior design program, and to optimize the experience of studio-based feedback practices for contemporary students. 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引用次数: 0
摘要
本文介绍了一项以教学为基础的调查研究成果,旨在评估经认证的室内设计课程的点评特点,并优化当代学生在工作室反馈实践中的体验。这项调查早于全球大流行病导致的前所未有的远程教学转变,在面对面反馈占主导地位的时代,为 Z 世代新兴设计师提供了独特的快照。数据是通过匿名自愿调查收集的,调查邀请学生分享他们对各种项目反馈方式的体验和看法。调查结果有四个方面。首先,学生们认为批评不仅仅是一种验证或把关功能,更是一种互动形式的指导,强调了将指令性话语与授权性反馈相协调的必要性。其次,同行评议、桌面点评和说明性反馈等方法被认为特别有益,既个性化又亲切,在工作室内外的环境中都同样受到重视。第三,每周与指导教师接触 1-2 个小时是项目反馈的首选,这表明学生的期望与现行做法之间可能存在差距。最后,学生们认识到了使用在线评论工具进行项目反馈的潜在益处,甚至在大流行病期间广泛使用在线平台之前,学生们几乎没有使用这些平台的经验。这项研究为未来的室内设计教育提供了宝贵的背景资料,并说明了在哪些方面可以进一步发展有关现代学生和教学实践的研究。
This article presents findings from an instructional-based inquiry, aimed to evaluate the critiquing characteristics of an accredited interior design program, and to optimize the experience of studio-based feedback practices for contemporary students. This investigation pre-dates the unprecedented shift to remote instruction due to the global pandemic, providing a unique snapshot of Generation Z emergent designers at a time when in-person feedback reigned. Data was collected through an anonymous, voluntary survey which invited students to share their experiences and perceptions of various modalities of project feedback. The findings are four-fold. First, students view critique not merely as a validation or gatekeeping function but as an interactive form of guidance, underscoring the necessity of harmonizing directive discourse with empowering feedback. Second, methods like peer reviews, desk crits, and illustrative feedback are seen as particularly beneficial, being both personalized and intimate, and are valued equally in both in-studio and out-of-studio settings. Third, 1–2 weekly contact hours with instructors is preferred for project feedback, pointing to a possible disparity between student expectations and prevailing practices. Finally, students recognized the potential benefits of using online critiquing tools for project feedback, even prior to the extensive uptake of online platforms during the pandemic in which students had little experience using them. This study contributes valuable context to the future of interior design education, and illustrates areas in which research concerning modern students and instructional practices can be further developed.