{"title":"爱丽丝-梅内尔与形象政治学:\"烟雾气候","authors":"Isobel Armstrong","doi":"10.1017/s1060150323000578","DOIUrl":null,"url":null,"abstract":"<p>The collaboration of William Hyde and Alice Meynell in <span>London Impressions</span> (1898) led to Hyde's photogravure image, “Utilitarian London,” which is a direct critique of Turner's <span>Rain, Steam and Speed</span> (1844), and to a companion essay by Meynell, “The Climate of Smoke,” that is an ecological poetics exploring the deep harms of pollution.</p>","PeriodicalId":54154,"journal":{"name":"VICTORIAN LITERATURE AND CULTURE","volume":"31 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2024-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Alice Meynell and the Politics of an Image: “The Climate of Smoke”\",\"authors\":\"Isobel Armstrong\",\"doi\":\"10.1017/s1060150323000578\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>The collaboration of William Hyde and Alice Meynell in <span>London Impressions</span> (1898) led to Hyde's photogravure image, “Utilitarian London,” which is a direct critique of Turner's <span>Rain, Steam and Speed</span> (1844), and to a companion essay by Meynell, “The Climate of Smoke,” that is an ecological poetics exploring the deep harms of pollution.</p>\",\"PeriodicalId\":54154,\"journal\":{\"name\":\"VICTORIAN LITERATURE AND CULTURE\",\"volume\":\"31 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2024-01-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"VICTORIAN LITERATURE AND CULTURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s1060150323000578\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"VICTORIAN LITERATURE AND CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s1060150323000578","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Alice Meynell and the Politics of an Image: “The Climate of Smoke”
The collaboration of William Hyde and Alice Meynell in London Impressions (1898) led to Hyde's photogravure image, “Utilitarian London,” which is a direct critique of Turner's Rain, Steam and Speed (1844), and to a companion essay by Meynell, “The Climate of Smoke,” that is an ecological poetics exploring the deep harms of pollution.
期刊介绍:
Victorian Literature and Culture encourages high quality original work concerned with all areas of Victorian literature and culture, including music and the fine arts. The journal presents work at the cutting edge of current research, including exciting new studies in untouched subjects or new methodologies. Contributions are welcomed from internationally established scholars as well as younger members of the profession. The Editors" topic for 2005 is "Fin-de-Siècle Women Poets". Review essays form a central part of the journal, and offer an authoritative view of important subjects together with a list of relevant works that serves as an up-to-date bibliography.