电影中的福武园从 "大跃进 "到改革开放:电影、社会主义教育和服务劳动

IF 1 4区 社会学 Q2 AREA STUDIES
Gavin Healy
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引用次数: 0

摘要

随着大跃进期间工农业生产的蓬勃发展,电影生产也随之蓬勃发展。工厂和农业集体宣传劳动模范,而电影业则创造了新的生产工人英雄形象。与此同时,生产劳动的价值化加剧了 "非生产性 "服务部门工人的异化。针对这种情况,服务行业的工作单位提名了自己的劳动模范,而电影业则为全国观众带来了服务行业工人的故事。通过细读三部这样的影片--《福五原服务员》(1958 年),大跃进期间出品;《麻衣布衣 满意不满意》(1963 年),大跃进刚结束时出品;以及市场化改革实施后不久拍摄的《端盘子的姑娘》(1981 年)--这篇文章描绘了在社会主义和后社会主义初期的中国经济社会中,关于服务工作价值的电影论述的演变过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fuwuyuan on Film: Cinema, Socialist Education, and Service Labor from the Great Leap Forward to Reform and Opening Up
As industrial and agricultural production kicked into overdrive during the Great Leap Forward, so too did cinematic production. Factories and agricultural collectives promoted labor models, and the film industry created new cinematic models of heroic production workers. At the same time, valorization of production labor heightened the alienation of workers in the “nonproductive” service sector. To address this situation, service sector work units nominated their own model workers, and the film industry brought tales of service workers to audiences nationwide. Through a close reading of three such films— Fuwuyuan 服务员 (1958), produced during the Great Leap Forward; Manyi bu manyi 满意不满意 (1963), produced just after the Great Leap Forward; and Duan panzi de guniang 端盘子的姑娘 (1981), produced shortly after the implementation of market reforms—this article charts the evolution of cinematic discourse on the value of service work in the economy and society of socialist and early post-socialist China.
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来源期刊
Modern China
Modern China AREA STUDIES-
CiteScore
1.70
自引率
10.00%
发文量
26
期刊介绍: Published for over thirty years, Modern China has been an indispensable source of scholarship in history and the social sciences on late-imperial, twentieth-century, and present-day China. Modern China presents scholarship based on new research or research that is devoted to new interpretations, new questions, and new answers to old questions. Spanning the full sweep of Chinese studies of six centuries, Modern China encourages scholarship that crosses over the old "premodern/modern" and "modern/contemporary" divides.
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