巽他文化中基本形状的象征美学意义

J. Jamaludin, Anwar Subkiman, Edwin Widia
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引用次数: 0

摘要

本文旨在研究印度尼西亚西爪哇巽他社会和文化中存在的象征性美学概念。在艺术和设计中存在或应用于已知形式的象征意义。通过解释的方法,并以巽他语为研究来源,发现了几种使用基本形状(即正方形、三角形和圆形)的表达方式和谚语。研究结果表明,这三种基本形状具有象征意义,这表明在巽他文化中,人们意识到这些基本形状的存在,并赋予它们象征意义。这些基本形式一般来源于自然界中的物体。这种基本形式的含义指的是在实施过程中根据基本形式的特点而应用的某种功能。这种象征意义一般是指努力创造趋于完美的文化价值。这种基本形的含义可用于具有地方文化特色的设计中,特别是在文化发展和壮大的地区。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Meaning of Symbolic Aesthetic of Basic Shapes in Sundanese Culture
This paper aims to examine the symbolic aesthetic concepts that exist in Sundanese society and culture in West Java, Indonesia. The symbolic meaning that exists or is applied to forms that are known in art and design. With the method of interpretation and using Sundanese as a source of research, several expressions and proverbs are found that use the basic shapes, namely squares, triangles and circles. The results of this study indicate that there are symbolic meanings of the three basic forms which indicate that in Sundanese culture there is awareness of the existence of these basic forms and give them symbolic meanings. These basic forms are generally sourced from objects found in nature. The meaning of this basic form refers to a certain function that is applied according to the character of the basic form in its implementation. This symbolic meaning generally refers to efforts to create cultural values towards perfection. The meaning of this basic shape can be used for the meaning of the basic shape used in designs with a local cultural approach, especially in areas where the culture grows and develops.
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