印度尼西亚的现代主义文学批评:关于千禧一代在 Youtube 评论中的数字扫盲实践的研究

Johan Mahyudi, Ahmad Sirulhaq
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摘要

研究的重点是调查现代主义文学批评的传统,这可以从 YouTube 网站视频下观众的评论中找到答案。作为数字文学范式的中心,视频中的数字诗歌已成为印尼千禧一代的批评对象。众所周知,数字素养的标志之一是熟练使用数字媒体。其中一种媒体被用来通过非文本符号学的方式发表批评意见。因此,在研究中,我们分析了出现在诗歌网站 "Aksara Betha "和 "Rotasi "上的数以千计的批评文章,回顾了批评者对这两种数字诗歌结构中的非文本元素的表达实例。结果表明,印尼千禧一代具有数字素养,许多人明确提到了吸引他们兴趣的数字艺术特征。一些评论家甚至表达了他们对节目时间太短的主观感受。这种做法说明,印尼 "千禧一代 "已经感受到了数字诗歌的形态元素之一--空间和时间--的影响。此外,假设它可以被称为一种传统,那么,批评家在收集对他们准备的作品的批评意见时所表现出的诚实就是文学批评新传统的里程碑。在印刷文学批评的传统中,很少甚至从未出现过这种传统。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Modernist Literary-Criticism in Indonesia: A Study on the Practices of Millenial Digital Literacy on the Youtube Comments
The research was focused on investigating the tradition of modernist literary criticism, which could be found in the audience’s comments under the video on the YouTube website. As the center of the digital literary paradigm, digital poetry in videography has become an object of criticism for the Indonesian millennial generation. As was known, one of the markers of digital literacy was proficiency in using digital media. One of these media was used to produce criticism by voicing non-text semiotics. Because of that, in the research, thousands of criticisms that appeared on the poetry websites “Aksara Betha” and “Rotasi” were analyzed by reviewing examples of the critics’ expressions of non-text elements that could be found in the constructs of the two digital poetry. The results show that Indonesian millennials are digitally literate, and many explicitly mention digital art features that have attracted their interest. Some critics even express their subjective feelings about the show’s duration which is considered too short. Such practice explains that the Indonesian millennial generation has felt the effect of one of the morphological elements of digital poetry, namely space and time. Furthermore, suppose it can be called a tradition; in that case, the honesty of the critics in collecting criticism of the work they prepare is the milestone of the new tradition in literary criticism. This tradition is rarely, if not never, to be found in the tradition of printed literary criticism.
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