{"title":"分析受众对 \"美是普遍的 \"活动中男性概念的接受程度","authors":"Fawziya Aprelliani, Kezia Arum Sary","doi":"10.35877/454ri.daengku1924","DOIUrl":null,"url":null,"abstract":"Dear Me Beauty, an Indonesian beauty product brand, has become a trending topic of conversation among the public due to the recent of a post. A middle-aged man with Dear Me Beauty's newest product, the Airy Poreless Fluid Foundation. Together with that, Dear Me Beauty has launched a movement entitled ‘Beauty Is Universal’, an effort to invite the public to appreciate all forms of beauty, including various skin colors and genders, with the aim of breaking stereotypes that beauty products only for women. With the People Power Brand claim, Dear Me Beauty is trying to popularize the concept of genderless makeup, where there is no gender constraint regardless of who and what is used. This research was conducted to analyze how audiences interpret the concept of masculinity in the ‘Beauty Is Universal’ campaign conducted by Dear Me Beauty on February 1, 2021, on Instagram. This study used a qualitative approach using Stuart Hall's reception analysis method, which categorized the audiences into three positions: Dominant Hegemonic Position, Negotiated Position, and Oppositional Position. Through utilizing in-depth interviews, this study employed a purposive sampling technique to determine which informants fit the research criteria to examine and understand a person's attitudes and views. The results of this study indicate that audiences have the ability to comprehend and interpret media messages into definitions of life choices and self-identity. Instagram, as a medium, provides a representation of the world that is absorbed and internalized by the audience, internalized, then used to determine decisions and attitudes. Audiences are provided the option to choose which media to consume according to preferences. As a single message cannot be interpreted equally by all audiences, their understanding represents their own decoding of the encoding stage performed by the message producer. The study was found that the dominating informants were in a Dominant Hegemonic Position, indicating their agreement with the ‘Beauty Is Universal’ campaign. These informants believed that Dear Me Beauty successfully conveyed the belief that beauty products were not bound only to a certain gender. The informants’ cultural and religious backgrounds influenced their reception of the campaign’s content.","PeriodicalId":371823,"journal":{"name":"Daengku: Journal of Humanities and Social Sciences Innovation","volume":"9 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Analysis of Audience Reception to the Concept of Masculinity in the ‘Beauty Is Universal’ Campaign\",\"authors\":\"Fawziya Aprelliani, Kezia Arum Sary\",\"doi\":\"10.35877/454ri.daengku1924\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Dear Me Beauty, an Indonesian beauty product brand, has become a trending topic of conversation among the public due to the recent of a post. A middle-aged man with Dear Me Beauty's newest product, the Airy Poreless Fluid Foundation. Together with that, Dear Me Beauty has launched a movement entitled ‘Beauty Is Universal’, an effort to invite the public to appreciate all forms of beauty, including various skin colors and genders, with the aim of breaking stereotypes that beauty products only for women. With the People Power Brand claim, Dear Me Beauty is trying to popularize the concept of genderless makeup, where there is no gender constraint regardless of who and what is used. This research was conducted to analyze how audiences interpret the concept of masculinity in the ‘Beauty Is Universal’ campaign conducted by Dear Me Beauty on February 1, 2021, on Instagram. This study used a qualitative approach using Stuart Hall's reception analysis method, which categorized the audiences into three positions: Dominant Hegemonic Position, Negotiated Position, and Oppositional Position. Through utilizing in-depth interviews, this study employed a purposive sampling technique to determine which informants fit the research criteria to examine and understand a person's attitudes and views. The results of this study indicate that audiences have the ability to comprehend and interpret media messages into definitions of life choices and self-identity. Instagram, as a medium, provides a representation of the world that is absorbed and internalized by the audience, internalized, then used to determine decisions and attitudes. Audiences are provided the option to choose which media to consume according to preferences. As a single message cannot be interpreted equally by all audiences, their understanding represents their own decoding of the encoding stage performed by the message producer. The study was found that the dominating informants were in a Dominant Hegemonic Position, indicating their agreement with the ‘Beauty Is Universal’ campaign. 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引用次数: 0
摘要
印度尼西亚美容产品品牌 "Dear Me Beauty "最近因一篇帖子而成为公众热议的话题。一位中年男子拿着 Dear Me Beauty 的最新产品 Airy Poreless Fluid Foundation。与此同时,Dear Me Beauty 发起了一场名为 "美是普遍的 "运动,旨在邀请公众欣赏各种形式的美,包括不同肤色和性别的美,以打破美容产品只适合女性的刻板印象。Dear Me Beauty 通过 "People Power "品牌主张,试图普及无性别化妆的概念,即无论谁使用,使用什么,都没有性别限制。本研究旨在分析受众如何解读亲爱的我2021年2月1日在Instagram上开展的 "美丽是普遍的 "活动中的男性概念。本研究采用了斯图尔特-霍尔的接受分析法,将受众分为三种立场:主导霸权立场、协商立场和反对立场。通过深入访谈,本研究采用了目的性抽样技术,以确定哪些信息提供者符合研究标准,从而考察和了解一个人的态度和观点。研究结果表明,受众有能力理解和解释媒体信息,并将其转化为对生活选择和自我身份的定义。Instagram 作为一种媒体,提供了一种世界表象,被受众吸收和内化,内化后用于决定决策和态度。受众可以根据喜好选择消费哪种媒体。由于单一信息不可能被所有受众同样解读,他们的理解代表了他们自己对信息制作者所进行的编码阶段的解码。研究发现,主导信息提供者处于主导霸权地位,这表明他们同意 "美丽是普遍的 "活动。这些信息提供者认为,"Dear Me Beauty "成功地传达了这样一种信念,即美容产品并不局限于某一性别。受访者的文化和宗教背景影响了他们对活动内容的接受。
Analysis of Audience Reception to the Concept of Masculinity in the ‘Beauty Is Universal’ Campaign
Dear Me Beauty, an Indonesian beauty product brand, has become a trending topic of conversation among the public due to the recent of a post. A middle-aged man with Dear Me Beauty's newest product, the Airy Poreless Fluid Foundation. Together with that, Dear Me Beauty has launched a movement entitled ‘Beauty Is Universal’, an effort to invite the public to appreciate all forms of beauty, including various skin colors and genders, with the aim of breaking stereotypes that beauty products only for women. With the People Power Brand claim, Dear Me Beauty is trying to popularize the concept of genderless makeup, where there is no gender constraint regardless of who and what is used. This research was conducted to analyze how audiences interpret the concept of masculinity in the ‘Beauty Is Universal’ campaign conducted by Dear Me Beauty on February 1, 2021, on Instagram. This study used a qualitative approach using Stuart Hall's reception analysis method, which categorized the audiences into three positions: Dominant Hegemonic Position, Negotiated Position, and Oppositional Position. Through utilizing in-depth interviews, this study employed a purposive sampling technique to determine which informants fit the research criteria to examine and understand a person's attitudes and views. The results of this study indicate that audiences have the ability to comprehend and interpret media messages into definitions of life choices and self-identity. Instagram, as a medium, provides a representation of the world that is absorbed and internalized by the audience, internalized, then used to determine decisions and attitudes. Audiences are provided the option to choose which media to consume according to preferences. As a single message cannot be interpreted equally by all audiences, their understanding represents their own decoding of the encoding stage performed by the message producer. The study was found that the dominating informants were in a Dominant Hegemonic Position, indicating their agreement with the ‘Beauty Is Universal’ campaign. These informants believed that Dear Me Beauty successfully conveyed the belief that beauty products were not bound only to a certain gender. The informants’ cultural and religious backgrounds influenced their reception of the campaign’s content.