框架之外:对查德-埃文斯-怀亚特的《罗马崛起》的评论

Cynthia Levine-Rasky
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引用次数: 0

摘要

摄影师查德-怀亚特(Chad Wyatt)的 "罗姆人的崛起"(RomaRising)是一个庞大的黑白肖像系列,拍摄对象是从事各种职业的欧洲中产阶级罗姆人。通过将罗姆人描绘成中产阶级,该展览打破了人们对这个受人诟病的群体的刻板印象。关于展览的意义,可以提出两个关键问题:罗姆人的崛起》是否推断出欧洲社会接受罗姆人的条件是进入中产阶级?图片的构图方式是否排除了其社会背景?具体而言,它是否忽视了欧洲社会普遍存在的反罗姆种族主义对罗姆人阶层流动造成的强大障碍?当这些问题被置于前台并加以分析时,重点就从图像的内容转移到了通过摄影图像表现罗姆人的社会和政治后果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Outside the Frame: A Critique of Chad Evans Wyatt’s RomaRising
Photographer Chad Wyatt’s RomaRising is an extensive series of black and white portraits of middle-class European Roma who have a wide range of professional occupations. By constituting the Romani subject as middle class, the exhibit defies stereotypes about this maligned group. Two key questions may be raised about its implications: Does RomaRising infer that acceptance of Roma in European society is conditional upon gaining admission to the middle class? And does the way in which the images are  framed exclude their social context? Specifically, does it neglect the powerful barriers to Roma’s class mobility caused by widespread anti-Roma racism in European society? When these questions are positioned in the foreground and analyzed, emphasis shifts from the content of the images to the social and political consequences of representing Roma through the photographic image.
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