从流亡者角度看捷克文学批评

Karolina Slamova
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摘要

本文论述了过去几十年中捷克文学批评的流亡观,这反映在两篇论文中:一篇是伊戈尔-哈耶克(Igor Hajek)的论文,另一篇是克维托斯拉夫-奇瓦蒂克(Kvetoslav Chvatik)的论文。伊戈尔-哈耶克(Igor Hajek,1931-1995 年),捷克文学评论家,1969 年流亡国外,在向国外介绍捷克文学方面发挥了重要作用。克维托斯拉夫-奇瓦蒂克(Kvetoslav Chvatik,1930-2012 年)是捷克哲学家、美学家、艺术史学家和文学理论家。哈耶克曾在英语国家的大学任教,而赫瓦蒂克则在德语环境中工作。本文对两个时期进行了论述和比较:第一个时期是多元民主和由此产生的文化结构时期,文学批评为捷克文学达到欧洲水平做出了贡献;另一个时期是 1948 年 2 月之后,统治思想开始干预文学的发展。文中描述了两种完全矛盾的概念,显示了 1948 年后文学批评发生的巨大变化。文章探讨了文学批评在意见多元化时代的作用,以及压制言论自由对文学批评家工作的影响。它还展示了文学批评如何在民主化趋势的精神指引下逐步实现其真正职能的转变过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
CZECH LITERARY CRITICISM FROM THE EXILE PERSPECTIVE
The paper deals with the exile view of Czech literary criticism in the past decades, reflected in two essays: one by Igor Hajek, and the other one by Kvetoslav Chvatik. Igor Hajek (1931�1995), a Czech literary critic, who went to exile in 1969, played a significant role in presenting Czech literature abroad. Kvetoslav Chvatik (1930�2012) was a Czech philosopher, aesthetician, art historian, and literary theorist. Hajek taught at universities in the English-speaking world, while Chvatik worked in a German-speaking environment. Two periods are covered and compared in the paper: the first period, the period of pluralistic democracy and the resulting cultural structure when the literary criticism contributed to the fact that Czech literature reached the European level, and the period after February 1948 when the ruling ideology started to interfere in the development of literature. Two completely contradictory conceptions are described showing the radical changes that took place in literary criticism after 1948. The text looks at the role of literary criticism in an era when plurality of opinion is possible, and at the impact of the suppression of freedom of speech on the work of literary critics. It also shows how the process of the shift of literary criticism towards its true function in the spirit of democratising tendencies had gradually won its way.
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