当代巴西的青年与人权:戏剧在确认权利方面的可能性

Bruna Pereira Caetano, Rita de Cássia Lopes de Oliveira Mendes
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引用次数: 0

摘要

本文讨论了戏剧作为一种有助于人类解放的工具的问题,因为它允许戏剧创作主体从不同于现行秩序的角度分析他们的现实。鉴于侵犯人权行为对当代巴西年轻人生活的影响,特别是对那些被社会边缘化、其身份被社会忽视的年轻人的影响,我们分析了戏剧作为承认其整体性的一种可能性。因此,本文的目的是将戏剧的艺术表现形式视为一种方式,让青年从舞台上的现实中认识自己,从某种意义上肯定自己的权利。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Youth and Human Rights in Contemporary Brazil: The Possibilities of Theater in the Affirmation of Rights
This article discusses the theater as an instrument that contributes to human emancipation, as it allows the subjects who practice it to analyze their reality through a different perspective from the one proposed by the current order. Glimpsing the impact that human rights violations have on the lives of young people in contemporary Brazil, especially those who are marginalized and have their identity made invisible by society, we analyze theater as a possibility for the recognition of their totality. In this way, the objective of the article is to treat the manifestation of the artistic expression of the theater as a way for the youths to recognize themselves in the realities put on stage, in a sense of affirmation of their rights.
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