{"title":"清代中国光彩瓷器的意象转换与外销史研究","authors":"Jin Ke, Chen Yanli","doi":"10.31166/voprosyistorii202310statyi63","DOIUrl":null,"url":null,"abstract":"Guangcai porcelain with its distinct export patterns is an important component of porcelain trade between China and the West. Studying the history of transformation within images used for decorating Qing Guangcai, the authors consider the historical model of visual imagery that fuses Chinese and Western culture, research the history of transformation of porcelain exports and the changes in Guangcai decoration, thus connecting porcelain aesthetics, its cultural and artistic value, and the history of foreign trade.","PeriodicalId":506572,"journal":{"name":"OOO \"Zhurnal \"Voprosy Istorii\"","volume":"25 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A study on the transformation of imagery and the history of exports of Chinese Guangcai porcelain during the Qing Dynasty\",\"authors\":\"Jin Ke, Chen Yanli\",\"doi\":\"10.31166/voprosyistorii202310statyi63\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Guangcai porcelain with its distinct export patterns is an important component of porcelain trade between China and the West. Studying the history of transformation within images used for decorating Qing Guangcai, the authors consider the historical model of visual imagery that fuses Chinese and Western culture, research the history of transformation of porcelain exports and the changes in Guangcai decoration, thus connecting porcelain aesthetics, its cultural and artistic value, and the history of foreign trade.\",\"PeriodicalId\":506572,\"journal\":{\"name\":\"OOO \\\"Zhurnal \\\"Voprosy Istorii\\\"\",\"volume\":\"25 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"OOO \\\"Zhurnal \\\"Voprosy Istorii\\\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31166/voprosyistorii202310statyi63\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"OOO \"Zhurnal \"Voprosy Istorii\"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31166/voprosyistorii202310statyi63","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A study on the transformation of imagery and the history of exports of Chinese Guangcai porcelain during the Qing Dynasty
Guangcai porcelain with its distinct export patterns is an important component of porcelain trade between China and the West. Studying the history of transformation within images used for decorating Qing Guangcai, the authors consider the historical model of visual imagery that fuses Chinese and Western culture, research the history of transformation of porcelain exports and the changes in Guangcai decoration, thus connecting porcelain aesthetics, its cultural and artistic value, and the history of foreign trade.