Chiara Bartalucci, Raffaella Bellomini, Lucia Busa, Paola Pulella, Sara Delle Macchie, S. Luzzi
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引用次数: 0
摘要
现代技术已成为我们体验文化遗产的一个常见特征。柏林、佛罗伦萨和利沃夫的音乐和歌剧院通过 "AURA"(利用增强现实和虚拟现实技术实现声学遗产地的声学化)项目,开启了音乐表演艺术和机构的声学化潜能。AURA 项目面向欧洲音乐界,为培养新的观众、新的商业模式、新的表演实践和令人兴奋的新听觉体验提供了广泛的机会。此外,它还旨在创建一个跨部门合作的模式,以促进创造力,并以新的方式推广欧洲遗产。本文介绍了 Vie en.ro.se Ingegneria 项目合作伙伴为吸引不同目标群体的参与而采用的程序,让他们体验三个剧院的听觉化模式,并通过为每个群体临时设计的调查问卷和参与圆桌讨论来评估他们的看法。报告了对所收集数据进行分析后得出的主要结果,以及为确保广泛传播结果而实施的视频教程结构。
AURA project: enjoyment of the auralisation experience by different target groups
Modern technologies have become a familiar feature in experiencing our cultural heritage. With the AURA (Auralisation of acoustic heritage sites using Augmented and Virtual Reality) project, music and opera houses in Berlin, Florence and Lviv opened up to the potentials of auralisation for music performing arts and establishments. AURA reached out to the European music community and offer a wide range of opportunities of building new audiences, new business models, new performance practices and exciting new aural experiences. Also, it aims to create a model for cross sectoral collaboration to foster creativity and to promote European heritage in new ways. The present article describes the procedures applied by Vie en.ro.se Ingegneria project partner to engage different target groups, make them experience auralised models of the three theatres and assess their perception through a questionnaire designed ad-hoc for each group and through the participation in round tables discussions. The main outcomes from the analysis of the collected data are reported, together with the structure of video tutorials implemented to ensure a wide dissemination of results.