F.I. Buslaev 的文章 "根据 17 世纪俄文原著的最后审判形象",结合 A.N. 奥斯特洛夫斯基的两篇《雷雨

Nadezda G. Mikhnovets
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引用次数: 0

摘要

本文在研究戏剧《雷雨ˮ》和 A.N. 奥斯特洛夫斯基的同名剧本的历史上首次引入了一个新的资料来源:F.I. Buslaev 的文章 "根据 17 世纪俄文原著的最后审判形象ˮ"(1857 年)。文章认为,布斯拉耶夫的文章在奥斯特洛夫斯基创作戏剧《雷雨ˮ》的过程中发挥了重要作用。事实证明,布斯拉耶夫文章中发表的 17 世纪原稿是理解和在剧中再现 19 世纪中叶俄罗斯所发生的变化规模的基础。布斯拉耶夫对拜占庭、欧洲和古代俄罗斯的 "最后的审判 "形象进行了比较,这对戏剧《雷雨》的创作者来说具有特殊意义,他理解了俄罗斯百年历史中的过渡时代现象。研究表明,在剧本《雷雨》的问题主题结构中,最后的审判事件占据主导地位。说明自从剧作家认识布斯拉耶夫的文章和《雷雨》一剧的创作以来,十七世纪一直是奥斯特洛夫斯基作为历史学家关注的中心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ARTICLE BY F.I. BUSLAEV “IMAGE OF THE LAST JUDGMENT ACCORDING TO THE RUSSIAN ORIGINAL OF THE 17TH CENTURY” IN THE CONTEXT OF TWO “THUNDERSTORMS” BY A.N. OSTROVSKY
In the article, for the first time in the history of studying the drama “Thunderstormˮ and the libretto of the same name by A.N. Ostrovsky, a new source is introduced: the article by F.I. Buslaev “The image of the Last Judgment according to the Russian original of the 17th centuryˮ (1857). It is argued that Buslaev’s article played an important role in the process of creating the drama “Thunderstormˮ by Ostrovsky. It is proved that the original manuscript of the 17th century, published in Buslaev’s article, served as the basis for understanding and recreating in the drama the scale of the changes that took place in Russia in the middle of the 19th century. The special significance of the comparisons carried out by Buslaev between Byzantine, European and ancient Russian images of the Last Judgment is emphasized for the creator of the drama The Thunderstorm, who comprehends the phenomenon of transitional epochs in the centuries-old history of Russia. It is shown that in the problem-thematic structure of the libretto “Thunderstormˮ the event of the Last Judgment appears as a dominant. It is indicated that since the playwright’s acquaintance with Buslaev’s article and work on the drama “Thunderstormˮ, the seventeenth century has been in the center of Ostrovsky’s attention as a historiosophist.
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