伊利亚圣埃吉迪乌斯教堂的罗马式入口 对解释其图标方案的贡献

ARS Pub Date : 2023-11-16 DOI:10.31577/ars-2023-0011
Adriana Reťkovská
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引用次数: 0

摘要

位于班斯卡-什蒂亚夫尼察附近伊利亚的圣埃吉迪乌斯教堂的罗马式门户可追溯到 1254 年,是独一无二的建筑和雕塑作品,其意义超越了中世纪匈牙利的国界。Andrej Kmeť 和 Václav Mencl 极大地加深了人们对该入口的历史、风格分类以及近代历史研究和修复的了解。该入口显示出从西欧向东传播的所谓诺曼风格的共同特征,这种风格一直持续到 13 世纪中叶。三镂空的门框和插入式圆柱的建筑风格,梨形的镂空边角与带有三圆边框的门楣上方的整个拱形相呼应,并辅以丰富的柱头和檐口雕刻。南北护栏上的浮雕装饰形式不对称,即使在欧洲范围内也是独一无二的。北面门楣的柱头上有龙的变形图案,龙的头由一个头连接在一起,被遗弃者的头与植物缠绕在一起,表现了邪恶力量攻击人类灵魂的世界,企图夺取人类的灵魂。与此形成对比的是,南面的门框由双排舌叶和飞檐组成,平衡和谐地表达了天堂的含义。这两个衬里是作为《贫民圣经》(Biblia pauperum)的教学内容的具体体现,也是中世纪艺术最重要的使命之一。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Románsky portál kostola sv. Egídia v Iliji Príspevok k interpretácii jeho ikonografického programu
The Romanesque portal of the church of St. Aegidius in Ilija near Banská Štiavnica, which dates back to 1254, is a unique architectural and sculptural work, and its significance transcends the borders of medieval Hungary. Andrej Kmeť and Václav Mencl significantly deepened the knowledge about the history of the portal and its stylistic classification as well as historical research and restoration from the recent period. The portal shows common features with the so-called Norman style spreading from Western Europe to its eastern parts, which persisted until the middle of the 13th century. The architec - ture of three-recessed jambs with inserted columns with pear-shaped profiling of the corners of the recesses passing into an entire arch above the tympanum with a three-circle border is complemented by rich sculptural equipment of capitals and cornices. The asymmetry of the relief decor forms on the northern and southern parapets follows a distinctive iconographic program unique even within the European context. The capitals of the northern lintel with zoomorphic motifs of dragons united by one head, the heads of outcasts incorporated into a tangle of vegetation, represent the world of diabolical powers attacking the human soul in an attempt to seize it. In contrast, the southern jamb is decorated with a balanced composition of double-row tongue leaves and a cornice capitalising paradise in its harmonious expression. The two linings are a materialized expression of instruction serving as the Biblia pauperum, one of the most important missions of medieval art.
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ARS
ARS
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