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引用次数: 0
摘要
地理因素继续体现并影响着围绕非异性恋性取向的叙事。在此背景下,边界成为包容-排斥政治的核心。在本研究中,我们将探讨裘德-迪比亚(Jude Dibia)的《与阴影同行》(Walking with Shadows)、奇玛曼达-恩格齐-阿迪切(Chimamanda Ngozi Adichie)的《颤栗》(The Shivering)和乌尊丁玛-伊维拉(Uzondinma Iweala)的《不作恶》(Speak No Evil),因为它们都涉及到同性恋、家园和移民这三足鼎立的问题。我们探讨了 "家 "与移民这两个并列的艺术主题所引发的描绘和抗衡;并认为这种二分法首先是作为一种逃离批判性 "家 "的形式,然后是作为一种在不同领土边界内对同性恋看法进行对比的手段。我们认为,这种跨国的流动性也构成了一个平台,这些作者通过这个平台来寻求对另类性行为者的承认和接受。
Geographical considerations continue to manifest in and influence the narratives surrounding non-heteronormative sexualities. Within this context, borders become central to the politics of inclusion-exclusion. In this study, we engage Jude Dibia’s Walking with Shadows, Chimamanda Ngozi Adichie’s “The Shivering,” and Uzondinma Iweala’s Speak No Evil in view of their engagement of the tripodal issues of homosexuality, home and migration. We interrogate the depictions and counterbalances evoked by the juxtaposition of the artistic motifs of ‘home’ versus migration; and argue that this dichotomy is wielded firstly as a form of escape from a judgmental ‘home’ and then as a means of providing a contrastive engagement of the perception of homosexuality within different territorial borders. Such transnational enactments of mobilities, we believe, also constitute platforms though which these authors channel energies and support on the way to soliciting acknowledgement and acceptance for people of alternative sexualities.