传统是一种有用的工具:新帕扎尔波什尼亚克族的文化新模式

Mehtap Demir Güven
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引用次数: 0

摘要

本文的重点是 KUD Mladih Novi Pazar 青年文化艺术协会和 FolklorDaire 音乐小组,它们在塞尔维亚 Novi Pazar 的文化和音乐领域发挥着积极作用。在这两个案例中,我试图理解的核心问题如下。在新的文化模式形成的过程中,它们是如何获得精神源泉、思想基础和实践热情的?在这一点上,当我考虑到新帕扎尔的历史和地理位置时,我强调文化和音乐行为是指传统。从根本上说,我认为传统在新帕扎尔市的音乐和文化行为中扮演着有用工具的角色。从理论上讲,我优先考虑从人种学中借用的文化亲密关系概念和振兴运动概念,以便能够解释在传统概念基础上产生的新文化模式。在塞尔维亚新帕扎尔进行的第一次实地考察提供了了解该地区、观察音乐实践、持续的文化结构以及与活跃在文化音乐运动中的音乐家进行深入访谈的数据。在第二阶段,使用在线研究方法 Netnography 研究了两个细化样本。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tradition as a Useful Tool: New Patterns of Culture among the Bosniaks in Novi Pazar
This article focuses on the KUD Mladih Novi Pazar Youth Culture and Art Association and the FolklorDaire music group, which play an active role in culture and music in Novi Pazar, Serbia. The core question that I try to understand in the context of these two cases is as follows. As new cultural patterns are formed, how do they gain sources of spirit, intellectual basis, and enthusiasm for practice? At this point, when I consider the historical and geographical positions of Novi Pazar, I underline that cultural and musical behaviors refer to tradition. Basically, I argue that tradition plays a role in the musical and cultural behavior of the city of Novi Pazar as a useful tool in both cases. Theoretically, I prioritize the concept of cultural intimacy borrowed from ethnography and the concept of revitalization movements in order to be able to explain the new cultural patterns produced based on the concept of tradition. The first fieldwork in Serbia, Novi Pazar provided data on getting to know the region, observing musical practices, ongoing cultural structures, and conducting in-depth interviews with active musicians in cultural music movements. In the second stage, Netnography, an online research method, was used to study two refined samples.
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