从民族音乐学角度研究 "鲁南五绝 "在学校中的传承。

춘메 좡
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引用次数: 0

摘要

本研究从民族音乐学的角度考察了 "鲁南五大调 "在校园中的传承模式。研究者以Huib Schippers于2010年提出的 "十二连环传承框架"(TCTF)为研究框架,对 "鲁南五大调 "传承人、郯城县第一实验小学音乐教师、山东艺术学院教师、临沂大学音乐学院教师等9名受访者进行了半结构化的面对面访谈。访谈内容主要涉及语境问题、传承模式、互动维度三个方面的 11 个问题。结果显示,"鲁南五大调 "在学校教育和民间自然传承的模式上存在明显差异。令研究者担忧的是,当民间自然传承的传统音乐在正规学校环境中传授时,传承不成功的风险会增加。最后,研究者基于民族音乐学关注文化语境的视角,提出了 "鲁南五大调 "在学校传承中的教学策略改进建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
민족 음악학적 시각에 따른 학교 내 ‘루난 5대조’의 전승 방식에 관한 연구
This study examines the transmission mode of the "The Five Major Tunes of Lunan" in schools from the perspective of ethnomusicology. Using the "Twelve Continuum Transmission Framework" (TCTF) proposed by Huib Schippers in 2010 as the research framework, the researcher conducted semi-structured face-to-face interviews with nine interviewees, including inheritors of the "The Five Major Tunes of Lunan," music teachers of Tancheng County's First Experimental Primary School, teachers from Shandong University of the Arts and School of Music of Linyi University. The interview content mainly involves 11 questions in three fields: issues of context, modes of transmission, and dimensions of interaction. The results show significant differences in the modes of "The Five Major Tunes of Lunan" in school education and folk natural transmission. What worries the researcher is that when traditional music that is naturally inherited in folk is taught in a formal school setting, the risk of unsuccessful transmission will increase. Finally, based on the viewpoint of ethnomusicology that focuses on cultural context, the researcher puts forward suggestions for improving the teaching strategies when "The Five Major Tunes of Lunan" is transmitted in schools.
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