"我是一个女孩。但现在我也是个男孩":海明威《伊甸园》中的假阳具与假体性别

Aaren Pastor
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摘要

摘要:本文运用保罗-普雷西亚多(Paul Preciado)关于自慰和假性性别的理论,将海明威的《伊甸园》作为自慰文本进行重读。凯瑟琳-伯恩在小说的出版版本和手稿版本中的(非)成为,是对身体自我创作的描写,并辅以大量的假体或假体操作:手指、头发、衣服,以及对希罗尼穆斯-博什的《人间乐园》的参观。在普雷西亚多自慰的非同一语法之后重读海明威,为海明威产业和海明威读者创造了另一个游戏场地:海明威作为义体性别理论家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"I'm a girl. But now I'm a boy too": Dildonics and Prosthetic Gender in Ernest Hemingway's The Garden of Eden
Abstract:This essay rereads Ernest Hemingway's The Garden of Eden as a dildonic text using Paul Preciado's theorization of dildonics and prosthetic gender. Catherine Bourne's (un)becoming(s) in the published and manuscript versions of the novel are a depiction of a body authoring itself, supplemented by numerous dildos or dildonic operations: fingers, hair, clothes, and visits to Hieronymus Bosch's The Garden of Earthly Delights. Rereading Hemingway in the aftermath of the nonidentitary grammar of Preciado's dildonics creates another field of play for the Hemingway industry and the Hemingway reader: Hemingway as theorist of prosthetic gender.
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