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引用次数: 0
摘要
在当前文化研究（园林语义学、花语学）的背景下，本文重点关注保加利亚现代主义（P. K. Yavorov、T. Trayanov、Ch. Mutafov）和后现代主义（M. Fuchedzhieva）装饰文本中对花语的具体运用，尤其是兰花的形象。我们将兰花作为分离派（Al. Mucha、G. Klimt 的画作）和颓废派（波德莱尔的《恶之花》）图景的一部分，展示保加利亚文学作品中人们追求理想和坠入现实深渊的经历，以及他们在现代文明和大众文化世界中的命运。
Образът на орхидеята в контекста на българския модернизъм и постмодернизъм
In the context of current cultural studies (semantics of gardens, floripoetics), this article focuses on the specific use of the floral code in the decorative texts of Bulgarian modernism (P. K. Yavorov, T. Trayanov, Ch. Mutafov) and postmodernism (M. Fuchedzhieva) and more specifically on the image of the orchid. Using the orchid as part of the iconography of Secession (the paintings of Al. Mucha, G. Klimt) and the decadent imagery (Baudelaire "Flowers of Evil"), we present people’s experiences in Bulgarian literature in their pursuit of the ideal and falling into the abyss of reality, their fate in the world of modern civilization and mass culture.
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