MOHOA2 通过视觉艺术使非洲(喜)故事非殖民化:非洲当代艺术作为一种回顾过去和展望未来的方式

IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Alyssa K. Barry
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引用次数: 0

摘要

长期以来,非洲艺术一直被艺术界视为 "原始艺术",非洲人一直将其作为讲述自己时代故事的一种方式,在可见与不可见、此在与来世之间建立联系的一种方式。随着殖民化和独立,非洲艺术的概念和形式经历了与现代性复杂多样的交锋,演变成一种反映非洲大陆及其散居地多重身份的当代艺术形式。虽然现代艺术的概念最初受到西方的强烈影响,非洲大陆最早建立的艺术院校就证明了这一点,但它逐渐确立了自己的地位和身份,既具有普遍性,又具有非洲大陆及其历史的特殊性。这种(再)演变是通过非洲内部和外部的两个平行运动进行的,得到了组织重大国际和地区活动以及在非洲和全球建立专门艺术空间的支持。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Decolonizing African (hi)stories through visual arts: African contemporary art as a way of looking back and moving ahead

Considered for a long time by the art world as “primitive,” African art has always been used by Africans as a way of telling the story of their time, of establishing a connection between the visible and the invisible, the here and the hereafter. With colonization and then Independence, the notion and forms of African art have evolved through complex and diverse encounters with modernity to a contemporary art form that reflects the multiple identities of the continent and its diasporas. While the notion of modern art was initially strongly influenced by the West, as evidenced by the first schools of arts established on the continent, it gradually asserted its place and identity as both universal and specific to the continent and its history. This (r)evolution is taking place through two parallel movements, both within and outside Africa, supported by the organization of major international and regional events and the establishment of dedicated art spaces in Africa and globally.

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来源期刊
Curator: The Museum Journal
Curator: The Museum Journal HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.70
自引率
10.00%
发文量
63
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