Gendered Postmemorial Legacy: Lily Brett’s and Elizabeth Rosner’s Poetic Renditions of the Holocaust

This article explores Lily Brett’s The Auschwitz Poems (2004) and Elizabeth Rosner’s Gravity (2014), two female-authored second-generation poetic renditions of the Holocaust. Examining these works through the lens of postmemory, my goal is to shed new light on the intergenerational transmission of trauma from a gendered perspective, focusing on its connections with poetry. I argue that both anthologies share at the core of their narrative a gender-focused layer of meaning, which penetrates into a postmemorial experience that is to a great extent defined by this social construct. This essay fosters scholarship on postmemory by conceiving it as a double-edged process encompassing both aesthetics and a form of social activism, and informed by feminism, which is mirrored in the reconception and rethinking of both the female body and gender hierarchy.