"读者,请注意":阿芙拉-贝恩在《荷兰情人》中致读者的书信中的引用和自我表述

Victoria Echegaray Mitar
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引用次数: 0

摘要

人们普遍认为阿芙拉-贝恩是第一位以笔为生的英国女性,这在复兴时期竞争激烈的伦敦文坛并非易事。虽然她的早年生活仍是一个谜,但她在伦敦的生活和她的忠诚却有据可查。在她的整个职业生涯中,她精心塑造了一个与读者和旁白中的观众互动的形象;然而,她在职业生涯早期通过引用典故所展现的自我却从未被充分考虑过。对这些典故的研究有助于填补人们对她了解的空白,并重新审视旧有的概念。本研究探讨并确定了她在《荷兰情人》(1673 年)中给读者的书信中引用的典故和使用的交流策略,以及这些典故对她所塑造的自我的意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Reader, Take Notice”: Aphra Behn’s References and Self-Representation in the Epistle to the Reader in The Dutch Lover
Aphra Behn is generally regarded as the first Englishwoman to have lived by the pen, not an easy feat in the competitive world of the literary world of Restoration London. While her early life remains a mystery, her time in London and her allegiances are very well-documented. Throughout her whole career, she crafted a persona that interacted with her readers and the audience in her paratexts; however, the self she presented in the early stages of her career through the references she made has never been fully considered. Investigating these allusions can help fill in the blanks of what is known about her and revisit older conceptions. This study explores and identifies the references she made and the communicative strategies she used in her epistle to the reader printed with The Dutch Lover (1673) and what they mean in terms of the self she crafted.
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