{"title":"抗议现在/描绘未来","authors":"Susan Leight Foster","doi":"10.53072/red202302/00201","DOIUrl":null,"url":null,"abstract":"This presentation considers two approaches utilized to contest and redress hegemonic forms of domination: constructing resistance and building relations. It assesses the strengths and limitations of each approach. Focusing specifically on examples from diverse dance practices, it argues that only by embracing multiple and diverse forms of political activism can we possibly choreograph our way through the catastrophic challenges that currently face us.","PeriodicalId":357528,"journal":{"name":"Revista Estud(i)os de Dança","volume":" 45","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Protesting the Present/Choreographing the Future\",\"authors\":\"Susan Leight Foster\",\"doi\":\"10.53072/red202302/00201\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This presentation considers two approaches utilized to contest and redress hegemonic forms of domination: constructing resistance and building relations. It assesses the strengths and limitations of each approach. Focusing specifically on examples from diverse dance practices, it argues that only by embracing multiple and diverse forms of political activism can we possibly choreograph our way through the catastrophic challenges that currently face us.\",\"PeriodicalId\":357528,\"journal\":{\"name\":\"Revista Estud(i)os de Dança\",\"volume\":\" 45\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista Estud(i)os de Dança\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.53072/red202302/00201\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Estud(i)os de Dança","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.53072/red202302/00201","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This presentation considers two approaches utilized to contest and redress hegemonic forms of domination: constructing resistance and building relations. It assesses the strengths and limitations of each approach. Focusing specifically on examples from diverse dance practices, it argues that only by embracing multiple and diverse forms of political activism can we possibly choreograph our way through the catastrophic challenges that currently face us.